Truth to Power: Poetry for Our Times with Poets Laureate

After serving as the Kansas Poet Laureate for four years, writer and TLA founder Caryn Mirriam-Goldberg decided to draw on all the new friendships she made with other state poets laureate to develop a new self-paced class: “Truth to Power: Poetry for Our Times With Poets Laureate.”

The result is a wondrous self-paced class that allows you to write on your own time at your own pace in concert with a rich diversity of writing prompts (developed by poets laureate around the country just for us!) and powerful stories on how poetry is instrumental to community. The class also includes inspiring essays and videos on the craft and passion of writing powerful poetry about our lives and times, and written discussions on the history and possibilities of poetry that speaks to social transformation.

Each the 12 units in the class highlights both state and national poet laureate past or present, and a historic poet dedicated to changing the world, including a writing prompt and writing craft or writing life discussion from that poet, some of the poets laureate’s poems with writing prompts, a discussion of a poet from the past or present who crafts poetry for social transformation, and exciting links to interviews, essays, and videos. All in all, you’ll get to know the work, writing, and lives of 37 American poets.

Poets!

Walt Whitman, W. S. Merwin, Marilyn L. Taylor, Emily Dickinson, Dick Allen, William Stafford, Sue Brennan Walker, Langston Hughes, Gwendolyn Brooks, William Trowbridge, Robert Penn Warren, Muriel Rukeyser, Mark Strand, Grace Paley, Carolyn Kreiter-Foronda, Adrienne Rich, Joyce Brinkman, Juan Felipe, Herrera, Denise Low, Wendell Berry, Rita Dove, David Romtvedt, Sharon Olds, Luci Tapahonso, Kimberly Blaeser, Yusef Komunyakaa, Joy Harjo, Marjory Wentworth, Audre Lorde, Elizabeth Woody, Natasha Trethewey, Li-Young Lee, JoAnn Balingit, Caryn Mirriam-Goldberg, Naomi Shahib Nye, Tracy K. Smith, and Richard Blanco. (Photo: from left, Audre Lorde, Meridel Le Sueur, and Adrienne Rich.)

This is a perfect class for those with any amount of experience writing poetry, from those who are interested in learning more and might be a bit nervous about it, to writers with years of experience who want to generate new work and brush up on elements of craft and be exposed to new contemporary writers, and how writing can be a positive force for change.

Caryn Mirriam-Goldberg, Ph.D., the 2009-13 Kansas Poet Laureate, has created this class through study, experience, and in conversations with over a dozen state poets laureate (many of whom shared their best handouts and writing prompts). Caryn is the author of two dozen books, including the recent Miriam’s Well, a novel; Following the Curve, poetry; and Everyday Magic, a collection of beloved blog posts and personal essays. Founder of Transformative Language Arts at Goddard College , Mirriam-Goldberg also leads writing workshops widely, particularly for people living with serious illness and their caregivers. With singer Kelley Hunt, she co-leads Brave Voice writing and singing retreats. www.CarynMirriamGoldberg.com

Perspective and Truth

 

Acrylic on wood board.  Seema Reza 2014

Acrylic on wood board. Seema Reza 2014

by Seema Reza

In her essay, “When We Dead Awaken” Adrienne Rich writes, “Our struggles can have meaning and our privileges–however precarious under patriarchy–can be justified only if they can help to change the lives of women whose gifts–and whose very being–continue to be thwarted by silence.”

I’ve been reading Rich’s collection of essays, “Arts of the Possible” for the past week.  I believe it is important for me, as a TLA Facilitator, to not only read great writing but to read great writing about writing.  Some of it can be pretty dense and exhausting, but understanding and weighing various theories about art making and the role of art in society is integral to continue to renew and deepen my passion for my work.  It is how I keep alive the sense of purpose as I stand in room after room to encourage (sometimes unwilling) people to write, to give their experiences voice.  Rich acknowledges the privilege of having her voice heard–one that we sometimes take for granted.  Even if we work for it, hustle for it, sacrifice for the time to hone our craft–it is a privilege to sit with the page.  We have access to literacy and language, a computer and the Internet so that we can put our words out there, submit them to journals, publish them on our blogs.  As TLA facilitators, we try to pass this privilege on, because we know what being heard can do for an individual.  We like to see people grow.  But sometimes, even with the luck I’ve had in finding platforms for my words, I experience something that reminds me of the early thrill of voice–the terror and the courage and the validation, the deep exhale that leaves the body alongside a secret.

Yesterday a very personal essay of mine was published on Full Grown People.  I was so honored to have it published, but terrified also, to be so vulnerable on the Internet (the WORLD WIDE web, if you will).  But with privilege comes responsibility. The responsibility to go to the places that are scariest for us and confront them.  Next week we’ll have a post about love and overcoming illness and hospitalization through story.  Check back.

 

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SEEMA REZA is a poet and essayist based outside of Washington, D.C., where she coordinates and facilitates a unique hospital arts program that encourages the use of the  arts as a tool for narration, self-care, and socialization among a military population  struggling with emotional and physical injuries. Her work has appeared The Beltway Quarterly, HerKind, Duende, Pithead Chapel, and McSweeney’s Internet Tendency. When the World Breaks Open, her first collection of essays, is forthcoming from Red Hen Press.  She is a TLA Network Council-Member-at-Large & Curator of the TLA Blog.