Spotlight on the Volunteer: Fiber Artist and Poet Cindy Rinne

As part of our Spotlight series, we have been focusing on some of the transformative artists who make up the TLA Network.

This month, we asked TLAN member and volunteer Cindy Rinne to share some about her work as a poet and an artist, and about her connection to the transformative language arts.

TLA Network: It’s wonderful to get to learn more about your work. Tell us about your process, and how you combine fiber arts, poetry and performance.

CR: I am an ecofeminist artist creating mixed-media fiber works as process art – these are collages layering fabrics from around the world to tell stories. There is not always a plan when I begin.

I work in collaboration with the materials. Sometimes text from my poetry comes alongside the imagery. Nature is the inspiration in both animal, tree, and plant voices. People may appear. I work on several projects at once to allow ideas to percolate.

In my work, textiles hang like tapestries to form a sculpture or are quilted. Sculptures explore dimension on the body and are a narrative from my poems or a play. The wearable fabric sculptures are also meant to come alive in performance art. Body holding space in movement, pattern, and sound.

TLA Network: You are fairly new to this community – how did you happen to find the TLA Network?

CR: I like to check out the residencies and conferences in writing magazines. The TLA Network’s 2019 Power of Word conference, in Scottsdale, AZ caught my eye. Not too far away and at a retreat center sounded great. Annually, I attend a huge writers conference and liked the idea of a more intimate, creative event – no huge book fairs or thousands of people.

The POW conference…was a place for talks, experiential workshops, storytelling, ecological and social justice, and spirituality to expand my practice. ~ Cindy Rinne

The POW conference description was a mix of who I am as a fiber artist, poet, and performance artist. Here was a place for talks, experiential workshops, storytelling, ecological and social justice, and spirituality to expand my practice. While attending, I was able to have early morning discussions and meals with the workshop leaders and some presenters. I could walk the labyrinth. This was a safe place to try new, creative things with other attendees.

TLA Network: You’ve written two chapbooks of poetry while participating in the TLAN conference and a Caits Meissner class for the Network – what in particular inspired you to create these works?

CR: My latest chapbook, Knife Me Split Memories (Cholla Needles Press), contains poems about my amazing Power of Words conference roommate, actor and playwright Valerie David – I describe her as a “three-time cancer survivor [who] has pelican bones and feathers of broken glass who sings a water spirit song.”

During the pandemic, I decided to take the TLAN workshop “& They Call Us Crazy” by Caits Meissner. The concept of the outsider appealed to me. A class combining art, writing, and social justice was a unique offering. I also liked that she creates ‘zines and thinks outside the box with her own work. Caits brought enthusiasm and great energy to the class as she presented us with artists and writers both known and unknown to me. She gave several prompts to choose from. The online class was easy to navigate, allowing me to see the richness in what other students created from the same prompts. I tried various poetic forms including erasure, canto, and collage.

I wrote silence between drumbeats (Four Feathers Press & Written by Veterans), as part of Caits’ class. In the process of writing, sometimes I combined art and poetry. The social justice poems and cover fiber art for this book were birthed in that class. “I alone / tread the red circle.” 

Cover artwork from silence between drumbeats, by Cindy Rinne.

Both the in-person POW conference and the online TLAN class expanded who I am and how I impact the world for social / ecological justice. I am now volunteering as part of the Power of Words conference committee team.

TLA Network: What are your hopes for the 2021 Power of Words conference?

CR: As we tread the new world of a virtual conference, my goal is to create a container where others stretch their wings. The presenters are all boundary pushers who will help me see the world through a new lens as I take my creative practice to new heights as a part of community.

Cindy is a San Bernardino artist and poet who has created fine art for over 40 years. She participated in “Lydia Takeshita Legacy Exhibit Series: 3” at LA Artcore, and has been in several online group exhibitions through LAAA/825. Cindy had tapestries in “Woven Stories” at MOAH (Lancaster Museum of Art and History) and at RAFFMA at Cal State San Bernardino for “Voices of Ancient Palmyra Resounded.” She participated in “50/50, FIFTY/FIFTY, The Creative Magic of Collaboration” at the Progress Gallery, Pomona, CA. In 2020, Cindy was selected for “Hobson’s Choice” at the Torrance Art Museum. She has exhibited at the Beatnik Lounge and La Matadora Gallery in Joshua Tree and is represented by Desert Peach Gallery in Yucca Valley, CA. You can see more of her work at www.fiberverse.com

Kissing the Muse, by Robbyn Layne McGill

Original artwork by Robbyn Layne McGill

Calling all creatives and sensitive souls attempting to navigate in this strange, new, unpredictable world. Could you use a guiding map to help you engage more consciously and courageously through all this change? The world can seem darker, depressing, and beyond our control when we forget we’re creatively powerful individuals. You can learn new ways to create from your most authentic place and more confidently express your heart’s true purpose and passion. When we remember we are the world’s contributors and collaborators, we can move towards remaking it, better, more inclusive, saner, and more hope-filled— even if it is just our little corner of it. A drop in the ocean, sure…but imagine the ripple effects one drop can make.

Kissing the Muse is a transformative practice that can help you experience your full creative potential and power. In my TLA Network course, we’ll embark on a 6-week Messy, Magical, Art-Making Adventure together designed to deepen your connection with your inner muse—your ultimate, infinite creative power. You will meet and “kiss” six different muse archetypes, each representing a particular aspect of the mythic journey (the same pattern found in stories, movies, and fairy tales around the world). This cyclical pattern also serves as a map for navigating your personal life, your artistic process, or the narrative arc of a memoir, novel, or story.

This course also offers three opportunities for live interaction—two group ZOOM sessions, on October 17 and November 21, and a personal, 1/2-hour, one-to-one coaching session with the instructor the week of November 4-11.

Original artwork by Robbyn Layne McGill

Ultimately, the purpose of this course is to help you engage in a creative practice that provides emotional clarity, conscious connection, hope, and encouragement.

So grab a gluestick and pucker up. Let’s go on a messy, magical, art-making adventure to change the world for the better.

Robbyn Layne McGill is a writer, film-maker and painter who lives in Amsterdam, and runs workshops and trainings around the globe. Robbyn has an MFA in New Practices, an MA in Transpersonal Psychology, and a BA in Journalism—but the story of how she came to live in Amsterdam (with a man she truly loves, and a cat named Leonard Cohen), and host collage-making “Muse Dates” is far, far more interesting.  www.kissingthemuse.com.