“Wind phones” in cemeteries: an act of personal and community transformation

Mom passed earlier this month. This past Sunday was the first day I was not visiting her at the nursing home or taking care of one of the many end-of-life tasks. Grief is different for everyone. I have felt so busy that I have not had enough time to sit with any of this. Even this Sunday, I attended Congressional Cemetery’s Tombs and Tomes Book Festival in Washington, D.C. I’m a literature professor and a cemetery historian; my books combine my love of words and the stories of those who came before us. Attending a book festival in a cemetery just seemed perfect. My mom was an avid reader. She read 200 books last year while in the nursing home so she would have approved. Plus, I signed up for the event months ago and I felt it would be good for me to go to the cemetery and get back to living. I write this with a smile—cemeteries are for the living as much as they are for the dead. Although cemeteries have been portrayed in media as dreary, dark, and frightening, they were our first public parks and during the Victorian era, they were intentionally designed as places not only to connect with loved ones who had passed but as places for relaxation and recreation. The book festival was set up outdoors, and throughout the event cherry blossoms gently fell onto my table and head. It felt like a kiss from nature. 

A decade ago, I was trained and certified to become a master tour guide in Richmond, Virginia. I briefly worked for a local museum giving historic cemetery tours before deciding that I would rather work directly with cemeteries and then later starting a local cemetery group where we would meet in cemeteries and explore them together. My tours and my writing focus on uplifting narratives from the grave enabling others’ stories to be told once again. 

The last few years have been challenging even after the pandemic. My mother had a mental health break that led to a diagnosis of dementia. She entered memory care. For a year and a half, when I was not teaching, I have been at the nursing home or helping my dad during this huge life change. Sunday was the main day that we all spent time together. 

At the Tombs and Tomes Book Festival, I found many people like me—those who love stories, history, learning how to care for the environment, and getting to know people, those alive and dead. Many of us are associated with the Death Positive movement, meaning they who do not find it taboo or morbid to speak opening about death and dying. Congressional Cemetery even sells a variety of t-shirts—one reads “future resident.” These are totally my people. 

Of course, this doesn’t mean that we do not grieve or that we are carefree about death. While selling books, one of the staff members and I struck up a conversation. When I mentioned that my mother had passed away, she shared that they had installed a wind phone allowing visitors to hold one-way conversations with departed loved ones. I had heard of wind phones but never experienced one myself. The idea is that visitors can sit at the phone booth, pick up the phone receiver and speak to those who have passed away. The original wind phone was created by garden designer Itaru Sasaki in 2010 to help him cope with the loss of his cousin.[1] Many others have been installed since that original one.[2] 

After the festival, I packed away my books in my car along with a few stray cherry blossoms and sought out to find the wind phone. It is located near an art installation. There was a bench and what looked like an old pay phone. It was the first moment that I had to sit down with my feelings. Since I am not a speaking-out-loud processor and I do my best processing with a pen in my hand, I appreciated that Congressional Cemetery’s wind phone includes a journal that visitors can write in. I wrote my mother a note. It was a simple but profound activity. I sat by the wind phone surrounded by beauty. I said what I needed to tell her, and I was moved to tears considering her reading my message. 

Writing a short message felt transformative, the very heart of TLA. I imagine that many who speak into the phone feel the same way. The cemetery’s wind phone enables us to have our own personal transformations but the installation of art and events in the cemetery transforms the community for the living.  


[1] “Japan’s Wind Phone for Calling the Dead.” Atlas Obscura, Atlas Obscura, 11 Apr. 2017, www.atlasobscura.com/places/wind-telephone.  

[2] Leah, Heather. “Raleigh’s First ‘wind Phone’ Allows Families to Call Lost Loved Ones at Oakwood Cemetery.” WRAL.Com, WRAL, 26 Nov. 2022, www.wral.com/story/raleigh-s-first-wind-phone-allows-families-to-call-lost-loved-ones-at-oakwood-cemetery/20613717/


Professor Sharon Pajka, a woman with dark hair in a black shirt, sits in front of bookshelves.

Sharon Pajka, PhD, is an English professor and a cemetery historian. Her writing combines her love of words and the stories of those who have come before us. She is the author of Women Writers Buried in Virginia (2021) and The Souls Close to Edgar Allan Poe: Graves of his family, friends, and foes (2023). She teaches courses in ghost stories and haunted history, dark tourism, literature by women, and media literacy.

What’s Cooking? A Taste of Kansas City at the Power of Words Conference — by Caryn Mirriam-Goldberg

Kim Phillips, right, with Caryn

A funny thing happened on the way to planning our Power of Words conference September 26-29 at Unity Village in Kansas City, Missouri. It turns out that Unity Village, which used to have an onsite kitchen that served delectable food, shut down its food services since the pandemic, and all people holding events now need to arrange their own catering. Consider that we’re planning a community-building conference for more than 100 people with a variety of dietary needs coming from around the country, and we want to make our meals delicious and affordable, and things get complicated.

Enter Kim Phillips, a member of our conference planning committee who cheerfully took on the catering arrangements. Thanks to Kim’s steadfast and creative work — including researching possibilities, talking with caterers, getting bids, and bringing her great wisdom and big heart to the process — we now have a very special menu featuring the Best of Kansas City. With input from our conference committee , she also arranged for each meal to offer conference-goers vegetarian, vegan, and gluten-free options. Here’s some of the special meals ahead that came out of her intensive work for several months. All meals also include beverages and desserts.

  • Kansas City Barbecue: You can’t have a taste of Kansas City without some of the city’s award-winning BBQ. One of our dinners will include BBQ beef burnt ends, shredded chicken, tofu, plus slaw, cheesy corn, beans, and more of the works.
  • Kansas City has deep Italian roots, and few do authentic Italian food as well as the city’s restaurant Garozzo’s. Another of our dinners includes ravioli, meatball appetizers, pasta (including gluten-free), spiedini, a tasty vegan option, and of course cannoli, cheesecake, and other goodies for dessert.
  • Our lunches include a flavorful taco bar with all the fixings as well as an expansive baked potato bar (because: potatoes).
  • Breakfasts — available at the hotel for all conference-goers — offer eggs, hash browns, bacon or sausage, yogurt, fruit, and lots of other options, including the ever-needed morning coffee or tea.
  • All of our keynote sessions also include delicious and healthy snacks because creativity takes energy.

Register for the conference (we include all meals with your registration fee) and join us to feed your whole self!

Processing through Poetry: Writing and Wellness

by Sharon Pajka, PhD

(Trigger warning—mention of suicide.)

In July 2023, I joined the TLA Network and that summer, I signed up for an online course. As an English professor and the major/minor coordinator for the English program, I had been trying to find ways to focus and connect my university’s English program with its Wellness Student Learning Outcome (SLO). I believed that TLA was one of the ways that the major was going– away from the classics and more towards how we can use books and stories for our and society’s health.

SLO Wellness: Recognize how my choices can transform my health, well-being, and ability to thrive; seek support and utilize resources for personal growth; and work collaboratively to promote wellness on campus and within myself.

My first course, “Liminal Spaces: The Poetry of Transitions and Change” with Angie Ebba, revived my own personal relationship with writing poetry. It had been many moons since I had written anything so creative. I vowed then that going forward, my journal entries would benefit from some added poetry. Instead of writing furiously to get my thoughts and feelings on the page, poetry lets me take a sip of tea and reflect. It’s the beauty of time spent with oneself. Writing and reading poetry has helped me feel more connected to my authentic self.

Photo by Sharon Pajka, PhD

I’m currently taking “Kissing the Muse: A Messy, Magical, Creative Adventure (part 1)” with Robbyn Layne. My second week into the course, I learned that my friend’s grave had been moved once again by his family and that it was now in a public cemetery where I would be able to visit after decades. I’m nearly 50 years old and almost immediately I found myself tending to my inner-fifteen-year-old self. I visited his grave but I could not process any of this alone. Fortunately, I was able to call on my Muses and even had a networking session with another TLAN friend I’ve made. My feedback to her on one of her poems was to try going deeper and darker. Talking with her about my assignments in the course and life in general, I discovered that I hadn’t been able to write about or even process visiting my friend’s grave until I encouraged myself to go deeper and darker. So, I did. I applied to the TLAF Certificate program. I was accepted into the program last week. I was able to write a poem about my cemetery visit.

Lakeview Cemetery

Lakeview cemetery has no view of the lake,
No resolution or peace
Even after thirty-four years.

Your epitaph in the stone
Words placed by another
Words distinctly not your own.

Your body is buried and then taken
Reinterred and reinterred
Still played with like a doll.

Trying to control the narrative
Fabrications of your final hours
I believed but coroners do not lie.

They complete final paperwork
Important details condensed to a page
And place an X by the cause— Suicide.

I am no longer restricted
From accessing your grave
No longer required to sit for tea.

I stand in this field
No other markers around
Staring at a photo that isn’t you.

Lakeview cemetery has no view of the lake
No resolution or peace
I am standing here alone.

Remembering her pink satin shirt
The smoothness of your coffin
A funeral without you holding my hand.

I hold my hand up high
It’s the only thing I can control
While the others make up lies.

Lakeview cemetery has no view of the lake
No resolution or peace
34 years to be on the right side of this poem.

Going forward, I have found a place that I want to tap into—TLAN. As the internet, social media, and even my computer can at times have become dreary places, TLAN reminds me that I must be mindful of the places that I visit—virtually and physically. I’m looking forward to future courses and the TLAF certificate program.

Sharon Pajka, PhD, is an English professor and a cemetery historian. Her writing combines her love of words and the stories of those who have come before us. She is the author of Women Writers Buried in Virginia (2021) and The Souls Close to Edgar Allan Poe: Graves of his family, friends, and foes (2023). She teaches courses in ghost stories and haunted history, dark tourism, literature by women, and media literacy.

In-Animate Objects: A Prose Poem Ending with a Haiku — By Joan Peters

Through some happenstance web link, I found TLA, and have become quite the fan girl of their online courses. I’ve taken classes at many places over the years, but only TLA has resonated on such an elemental level. Many of my classmates are like me, female, of periretirement age and still seeking that counter-narrative.

Last fall I took the irresistably titled “Liminal Spaces: The Poetry of Transitions and Change” with Angie Ebba. (Who among us doesn’t wish to be changed by a poem? Who among us doesn’t wish to change their world through their poem?)

The two weeks between when I signed up for the class and when it started turned out to be quite a liminal space for me: a sprained ankle on top of a chronic mobility disorder, the death of my mother and the first time I got Covid. So my attention to the thematic possibilities, new (to me) forms like the haibon and oulipo, and techniques was mutable.

But the Week 4 assignment was on using personification, the literary device that gives human characteristics to nonhuman things or inanimate objects. To my delight, a number of us confessed to be confirmed personifiers, even and especially outside of our writing lives.

The online class thread for this assignment read like a meeting of Empathizers Anonymous. The initials of my classmates and the actual objects personified below have been changed to protect their privacy:

T posted about their mother’s lamp that did not want to be discarded.
M couldn’t stand to see the last apple alone on the store shelf.
K whose spouse who talked to their favorite stapler.

I commented how, in the early 1970s, my father made me return a midi dress to the store “because it made me look like too much of a hippie.” Never mind that, born in 1961, I had been too young for Woodstock and missed out on the Summer of Love. Even in the dress, no one would have mistaken me for Janis Joplin. Putting it in the bag to be returned, I cried for the dress and the multicolored stripes around its skirt, its hurt feelings.

Five decades later
I still glimpse the purple dress,
Now, I too am seen.

TLA Network Inaugural Awards: Outstanding Volunteer: John L. Swainston

We have this year created a special award for an outstanding volunteer, our MVP Volunteer of the Year, if you will, to honor the service and special guidance provided to the TLA Network by John L. Swainston.

As a new member of our board, John has guided us as Treasurer on a path to financial health. He volunteered his services to us as a retired accountant with years of experience, including teaching accounting at area colleges. He has provided accessible and comprehensive monthly reporting to our board that continually helps us plot our course ahead. Because of John, our books, accounting, and tax status have been put in order, working closely with our bookkeeper. And because this has been a year of heavy transition, we have benefitted from John’s calm, cheerful, and witty presence, helping us keep our direction clear, and at times sharing his own poetry – as he is an artist in his own right. We are immensely grateful for his time, his talents, and his skills.

John says of the TLA Network: “At a young age I liked to dance. Then I discovered oil painting. When my grandpa retired he would come over and we listened to opera. Very late in life I became a poet. I never could find a place where I could enjoy all art forms. Until TLA Network. I just had to volunteer and help support the mission of TLA however I could. Discover for yourself all that they offer.”

You can see more about John and his poetry at his website and his book of poetry, Memory Box, here.

Outstanding TLA Network Volunteer: John L. Swainston, presented by Kathryn Lorenzen at the 2023 Power of Words conference.

TLA Network Inaugural Awards: Outstanding Organization of the Year: Community Building Art Works

We award Outstanding TLA Organization of the Year to Community Building Art Works, a visionary non-profit organization making a huge difference in the world. Each week, CBAW offers lots of workshops in writing, visual arts and more for veterans and active military, their families and communities, and the general public. These workshops not only build connections, creativity, and mutual understanding and support, but help thousands of people struggling with emotional and physical injuries caused by trauma. CBAW is guided by a board of veterans from all four branches as well as established artists, military family members, and professionals.

We are proud to have Seema Reza, CBAW founder and CEO here. Seema is a poet, essayist, and deep-down TLAer – she served as chair of our TLA Network board and several Power of Words conferences, and also earned a BFA and MA from Goddard College on TLA. She began working with service members at the Walter Reed Army Medical center in 2010 and went on to create CBAW with Joe Merritt, an artist and facilitator who is medically retired from the United States Marine Corps.

Seema Reza says, “When you’ve experienced things that are out of the ‘norm’, it’s easy to feel totally isolated. Our programs give people the tools and space to talk about these things, first with people who feel the same way and then to people in their lives who are potentially very different from them. It’s how we begin to heal the fissures, and find ourselves experiencing belonging.” 

See more at https://cbaw.org/

Outstanding TLA Organization of the Year: Community Building Art Works, presented by John L. Swainston, a proud veteran, at the 2023 Power of Words conference

TLA Network Inaugural Awards: Outstanding Publication: The Journal of Expressive Writing

When the pandemic brought tremendous risk to our good health, peace of mind and livelihoods, Jen Minotti listened to a small voice of conviction from within that urged her beyond her fears of creative risk taking. She sat down at her computer and founded the Journal of Expressive Writing. Because, Jen believes writing your feelings helps you survive, and sharing them helps others survive and say yes to each other. The Journal thrives on all of us saying yes to our feelings in writing.

As Jen describes on the journal’s website, “the journal publishes expressive writing, free writing, personal essay, non-fiction, memoir, reflective essay, poetry, prose, contemplative discourse, and creative non-fiction—all that originate from a writing prompt—by both established and emerging writers.”

As Jen describes on the journal’s website:

At a fundamental level, I have this very strong belief that sharing our stories is a radical act of self-love and love for others. During the pandemic, I couldn’t stop thinking that if we could just share our stories—in a raw, truthful and very real way—at this moment in time when we needed connection more than ever, it just might be one of the most valuable gifts we gave to ourselves and others. It just might help bridge the political, class, and racial divides that were simultaneously exploding and perhaps help in some small way. Three and a half years later, the Journal still calls on all of us to share what matters most as a form of individual and collective activism. It’s a platform to express who we are in a particular moment and to read who others are. I think too often, we hold ourselves back when we feel our writing has to be “finished” or “perfect” or any of the conditioned belief systems we carry with us. When we can write (and operate) from our authentic selves, our inclination to judge softens. Love emerges and so does healing, not only for the writer, but for the readers, too. Eventually, it’s a ripple effect. This is ultimately what I hope to achieve with the Journal.

Here is more about Jen: Jennifer A. Minotti (she/her/hers) is a Writer-in-Residence at the Center for Women’s Health and Human Rights at Suffolk University, where she facilitates Women’s Writing Circles as a means to merge her passions for expressive writing, positive psychology, community organizing, women’s health, and social activism.  In 2020, Jen founded the Journal of Expressive Writing in order to provide a place for sharing expressive writing, believing that we need this space on a fundamental, human level and that whatever we are feeling is a link to what others are feeling across the planet at any given moment. For the past 25 years, Jen has dedicated her professional life toward working for the betterment of society. For 17 years, Jen worked at Education Development Center(EDC)—a global non-profit working to improve education, health, and economic opportunities worldwide—in a variety of technology, research, writing, and leadership roles for projects that focused on health and human development, special education, online professional development, literacy, bullying-prevention, urban education, science, assistive technology, and inclusive schooling practices

Outstanding TLA Publication: The Journal of Expressive Writing, presented by Kelly DuMar at the 2023 Power of Words conference

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The Journal of Expressive Writing: Visit the Journal’s submission page right here — you will see a variety of themes you can write about, and please read other published submissions here.

TLA Network Inaugural Awards: Vanita Leatherwood, Outstanding TLA Practitioner

Vanita Leatherwood exemplifies what life-saving difference one person can make. As the Director of Community Engagement at HopeWorks of Howard County – which provides support and advocacy for people affected by sexual and intimate partner violence – Vanita has founded TLA programs for survivor wellness, youth leadership, community self-care & social justice, and  Dragonfly, an artsandtransformative justice magazine. 

An award-winning poet with a MA in Transformative Language Arts from Goddard College, Vanita says, “The power of words led me to a place of safety, eventually to a place of joy, to that place within that I call the ‘YES.’ That’s part of what I wanted to create at HopeWorks – that’s what Dragonfly is; an opportunity to explore, learn, feel, connect, rebel and grow.”

We are honored to present our inaugural Outstanding TLA practitioner award to Vanita for her compassionate leadership, visionary program design, and community social justice programming, all of which she does with the heart of a poet and soul of a change-maker.

Here is a list of the programs Vanita has created:

  • Magazines (Founder/Editor): Dragonfly arts & transformative justice magazine and Cultivate youth arts magazine
  • Our Voice Project Monthly Support Groups: Preservation: Survivor Self-Care Circle, Reclamation: Adult Survivors of Child Sexual Abuse Support, and LOVED: Survivor Self-Care Circle for Black Women
  • One-on-One Self-care Sessions with Survivors: Poetry N2 Wellness
  • Newsletter: Journaling Our Voice
  • Speakers Bureau Training
  • The Survivors Health Project Monthly Groups: ARTiculation: Support & Education Group for Survivors Living with Chronic Health Conditions and Thriving Together: Survivors Mental Health Awareness & Wellbeing Group
  • Devised Theater, Creator & Producer: Telling This Truth at Slayton House Theater
  • Educational Curriculum (public programs): Over a dozen programs, including Self-care & Social Justice Events, Know My Name: Self-care and the Healing Journey for Black Women, The Organizational Equity and Inclusion Project, Ain’t I a Woman: Using the Arts & Humanities to Explore Oppression and Revolution, Unapologetic: Using Arts and Humanities to Explore Revolution and Oppression, and WOMEN-Global: Using the Arts & Humanities to Explore Oppression and Revolution

Outstanding TLA Practitioner: Vanita Leatherwood — presented by Caryn Mirriam-Goldberg at the 2023 Power of Words conference.

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Dragonfly Magazine Call for Submissions: Dragonfly arts & transformative justice magazine is a publication of HopeWorks of Howard County Maryland. Themes for submitted work (visual, literary, and musical) should focus on reflections about activism, oppression, love, advocacy, hope, transformative justice, trauma, racial and gender equity, intersectionality, relationships, healing, or self-care. Writers/Musicians/Artists do not have to be survivors. Submissions accepted until Jan. 31, 2024. Find all the details here.

Find more about Hopeworks here and more about Vanita’s TLA business, The Yes Within here.

Yes, You Can Write A Monologue for the Stage with Kelly DuMar

Here are the first five things I explain to writers who join my monologue play lab:

  1. Your character may be inspired by you, but she is not you.
  2. These monologues are not true stories told live without notes, like The Moth––your monologue will not be performed by you. It will be performed by an actor.
  3. Your stories matter, and we will support each other to craft meaningful, powerful short monologues from your rough drafts and revisions––whether or not you have experience writing for the stage.
  4. Our showcase will entertain, move, enlighten and inspire our audience.
  5. Our showcase will help you see how your script is working, and whether or not you will make more changes for future production or publication.

The playwright Sarah Ruhl expresses beautifully the desire we bring to our seats in the theater before the curtain rises: “the theater is one of the few places left in the bright and noisy world where we sit in the quiet dark together, to be awake.”

Teaching Play Labs for writing stage monologues lets me pass on my passion for theatrical experiences to writers of all backgrounds. The form of monologue I teach is specific to theater––whether it’s happening on a real-life stage or a Zoom set. Stage monologues are not storytelling, like the Moth––true stories told live without notes. The playwright is not the “I” of stage monologues. The writer creates a character for the stage who is not her, but might be inspired by her life.

In theater, we embrace the what if of enchantment. We suspend our disbelief so we can be we involved in the spectacle. “The more you go to a theatre,” the playwright Lynn Nottage says, “the more you hear stories you aren’t necessarily familiar with, the more open you become.

In writing monologues for the stage, a story begins as words on the page. The next stage of development is to have the monologue performed by an actor in front of an audience. In this monologue showcase, class participants who have been developing monologues over six weeks have the chance to see their writing performed by an actor for an audience so they can see, hear and feel how well their script is working, and discover whether or not revisions are needed.

As Maya Angelou says, “Our stories come from our lives and from the playwright’s pen, the mind of the actor, the roles we create, the artistry of life itself and the quest for peace.” In fact, a quest is what all of writers in my play labs experience. Each writer is on a quest for something vital and necessary. Let me give you a sense of how the entirety of a showcase becomes a chorus of voices of distinct characters, by offering one line from each monologue from my last showcase’s plays:

I have sought peace from the moment I first knew violence. It was August 3, 1960. I was slapped on my Black behind by a white man in a white mask while naked and wet, from the placenta you created for me to live inside your body.

Mother nature has taught me that a woman’s body sure has some power. 

I didn’t come here to talk, or hear you defend yourself.  I’m not letting you off the hook.

I was stunned. I never saw that coming. But boy did I act – I swung my backpack at him and got out of there as fast as I could.

Because I did what you said. I took a risk. I went where you told me to go last night.

I’m not sure I can do this! What if I forget everything I practiced?

But can I be honest?

Okay. I’m ready.

I hope you will join me in my next six-week Play Lab experience hosted by the Transformative Language Arts Network online. The Play Lab includes five weekly live Zoom webinars with me and guest actors, culminating in a showcase on Zoom, free and open to all where your monologue will be performed by actors. Register here and learn more: About Your Memoir as Monologue – with Showcase: Writing Monologues for Healing and Transformation // with Kelly DuMar.

About the Teacher

Kelly DuMar, M.Ed. is a poet, playwright, and workshop leader who generates enlivening writing experiences for new and experienced writers. Author of four poetry collections, Kelly’s poems, photos and essays are published in many literary journals. Kelly is also author of Before You Forget— The Wisdom of Writing Diaries for Your Children. Her award-winning plays have been produced around the US and Canada, and are published by dramatic publishers. She founded and produced the Our Voices Festival of Women Playwrights at Wellesley College for twelve years, and she is a past president of Playwright’s Platform, Boston. For the past seven years, Kelly has led the week-long Play Lab Intensive at the annual conference of the International Women’s Writing Guild. Kelly is a certified psychodramatist, former psychotherapist, and Fellow in the American Society for Group Psychotherapy and Psychodrama. Kelly hosts the monthly Open Mic with Featured Author for the Journal of Expressive Writing. You can learn more about Kelly, at www.kellydumar.com.

15 Reasons to Attend the Power of Words Conference

Renew and recharge yourself at the vibrant 18th Power of Words Conference Nov. 11! Here are 15 reasons to attend — crowdsourced from the TLAN board. Here’s 15 reasons to join us. Leap in now because our early bird rate flies away after Oct. 1:

  1. You never know where inspiration shows up and you want to be there when it does.
  2. “I have enough words… poetry… art,” said no one ever.
  3. Experience the healing balm that travels through community and connection.
  4. Discover the artist you didn’t know you were in love with, including the artist inside you.
  5. All the cool kids are going. Also, none of the cool kids are going.
  6. Writing out your emotions protects your body against stress and lifts your spirit.
  7. You’ve got questions… we’ve got… words. Lots of them!
  8. Connect with others who share your passion!
  9. One little change to a word and you have a whole new world. See what I did there? Come explore.
  10. Find signs of awe and wonder in your journal and with others.
  11. Immerse yourself in a diversity of voices and perspective.
  12. Get ideas, get inspired, and see things in a new way.
  13. Something magical happens when creative people gather together.
  14. Experience a visionary lineup of wordsmiths, change-makers, and artists, all in one conference, from the comfort of your home.
  15. You don’t know what you don’t know unless you go.

P.S. Our conference is amazingly affordable and includes special rates for students and people on limited incomes. Check out our affordable ticket prices!

Conference at a Glance

Conference is listed in U.S. Central Time. We will soon have a link for the conference in other U.S. and international time zones. Or click here for a time zone translator.

6-7 a.m. CT– Early Birds or Night Owls Reading (especially for international attendees)

10-11 a.m. CT -– Welcome and Talking Circles: Welcome and breakout rooms for talking circles for people to get to know each other. 

11:30 a.m. – 12:30 p.m. CT — Choose from 5 concurrent workshops 

  1. Using TLA to Create & Deepen Your Family Archive– Amanda Lacson
  2. Designing Transformative Multidisciplinary Projects with Collaboration at the Core – Akwi Nji
  3. Writing the Extraordinary Details of our Ordinary Lives – Jen Harris 
  4. Mindful Writing: Gratitude, the other side of Grief  – Marianela Medrano
  5. Flash Fiction: Exploring the Senses,  Emotional Resonance and the Path to Healing – Riham Adley

1-2 p.m. CT – TLA in the World: Transforming Communities Through the Power of Words: Panel Discussion

  • Sydney Fowler, writer, authenticity reader, Faculty and Community Engagement Coordinator at Lighthouse Writers Workshop
  • David Kopacz, physician, author, artist
  • Vanita Leatherwood, poet/artist and social change educator, director of Community Engagement at HopeWorks 
  • Alec Esperanza, Executive Director of Ozo CommUNITY PLUS, educator and activist
  • Fiona Bolger, writer, mentor, and international facilitator
  • Caryn Mirriam-Goldberg, Moderator, founder of TLA

2:30-3:30 p.m. CT – Choose from 5 concurrent workshop

  1. My Body is Not a Battlefield: Illness, Body, and the Use of Metaphor — Angie Ebba
  2. What Is It You Need to Say?: Time, Space, and Tools to Write Your Truth —  Fiona Bolger
  3. The Big Picture of Your TLA Livelihood and Life – Kathryn Lorenzen & Caryn Mirriam-Goldberg
  4. Writing Into the Contradictions: Juxtaposing Images for Deeper Understanding – Ben Weakley
  5. From Memoir to Monologue – Kelly DuMar

5-6 p.m. CT – Coffeehouse of Wonder Open Mics: Share your writing, music, spoken word, drama, or other forms of word arts. You’ll be able to sign up for a slot, and because we’ll have several break-out rooms, all conference attendees are welcome.

7:30-9:30 CT – Keynote Performances and Closing: A Celebration of Poetry, the Spoken Word, Music & Storytelling

  • Kevin Willmott, Oscar-winning filmmaker and writer (for KKKlansman) on filmmaking the power of the stories we tell.
  • Ada Cheng, storyteller and change-maker
  • Glenn North, poet, spoken word artist, activist
  • Joy Zimmerman and Erin McGrane, music and the spoken word
  • Akwi Nji, spoken word poet, artist, and musician
  • David Romtvedt, poet laureate emeritus of Wyoming and accordionist/singer
  • Closing ceremony

12 a.m. CT – Night Owls or Early Birds Reading (especially for international attendees)

Bonus Performances & Extras

Wait, there’s more! You also receive:

  • Bonus recordings of amazing performers and writers speaking, singing, or reading just for you (each recording will be 10-15 minutes): 
    • Kelley Hunt performing original songs co-written with Caryn Mirriam-Goldberg, who will also share poems
    • Gregg Levoy, best-selling author of Callings and Vital Signs, on listening to and following our callings
    • Kathryn Lorenzen, singer-songwriter sharing original music
    • Seema Reza, CEO of Community Building Arts Work and author of A Constellation of Half-Lives and When the World Breaks Open.
  • A bundle of recordings from the conference, including Open Mics, Keynote Performances, Panel Discussion, and more.
  • A library of handouts from conference workshops.
  • A $20 coupon toward a TLAN class you enroll in before May 31st, 2024.

Register for the Conference

Session Descriptions

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