Art as Resistance

“Prakriti” by Sangeeta Kaul

Dragonfly Arts Magazine Seeking Submissions

Dragonfly arts magazine

SUBMISSION SEASON: Closes March 31, 2020

  • Poetry
  • Photography
  • Sketch
  • Short Story
  • Mixed-media
  • Spoken Word
  • Sculpture
  • Painting
  • Prose

Open to the Public-at-Large – Writers/Artists do not have to be survivors.

At HopeWorks, we use the arts in three important ways to accomplish our mission: to support survivors in their healing; as a vehicle to increase awareness; and to imagine creative solutions to bring about social change.  

Dragonfly arts magazine, published each spring, is one of our most popular arts-based projects.

Themes for your submitted work (both visual and literary) should focus on reflections about relationships, activism, oppression, love, advocacy, hope, transformative justice, trauma, racial and gender equity, intersectionality, self-care, or healing.

SUBMISSION DEADLINE: March 31, 2020

Early submission is encouraged. Acceptance notifications will emailed by June 2020.  Click here to view the Submission Guidelines.

Dragonfly arts magazine is a publication of HopeWorks made possible by the Howard County Arts Council through a grant from the Howard County Government. 

ABOUT HopeWorks

HopeWorks is Howard County Maryland’s local sexual and intimate partner violence center.  We provide direct support to survivors of sexual violence, intimate partner violence and human trafficking.  We also, work in community to change the culture that allows these forms of violence to continue. 

Sexual and intimate partner violence is based in power differences, not only at an individual level but also structurally in systems of power –known as oppression.  Therefore, our mission, at HopeWorks, at its core, is grounded in anti-oppression work.  

We use a social justice lens; enabling us to address and decrease the root causes of gendered violence (sexual and intimate partner violence) as well as the systems that fuel genocide, racism, transphobia, poverty, xenophobia, ableism, and more.  We support and partner with others doing anti-oppression work, efforts to achieve healthier relationships and a society free from all forms of violence.

HopeWorks envisions a world of interconnected people and communities actively working toward a society where all people are safe and valued and where everyone can reach their full potential.

Questions? Please contact HopeWorks’ Deputy Director, Vanita Leatherwood at (410) 997 -0304.

Final days to register for the Power of Words early bird rate ($45 off the regular fee)

Join us for the 17th annual Power of Words Conference in Santa Fe, New Mexico, October 30 – November 1, 2020. 

Get $45 off the regular conference fee – the super early bird rate is available through Friday, January 31!

Featuring U.S. Poet Laureate Joy Harjo as conference keynoter, the conference will take place at the Eldorado Hotel & Spa, in the heart of Santa Fe.

 

 

 

 

 

 

 

 

 

 

TLA Network Newsletter – February 2020

Join us for the 17th annual Power of Words Conference in Santa Fe, New Mexico, October 30 – November 1, 2020. 

Get $45 off the regular conference fee – the super early bird rate is available through Friday, January 31!

Featuring U.S. Poet Laureate Joy Harjo as conference keynoter, the conference will take place at the Eldorado Hotel & Spa, in the heart of Santa Fe.

Our conference brings together writers, storytellers, performers, musicians, educators, healers, activists, health professionals, community leaders and more.

We invite your proposals for experiential, didactic, and/or performance-based sessions that focus on writing, storytelling, drama, film, songwriting, and other forms of Transformative Language Arts. 

Submission deadline is March 31.

We encourage proposals from people targeted by racism, low-income people, people with disabilities, queer-identified people, and people of transgender and/or gender non-conforming experience.  

Spotlight on the TLA Network Council: Brenda Magnetti

Empathy.  It’s a powerful experience to understand someone else’s condition from their point of view. Brenda Magnetti has built a strong industry reputation for being one of the best brand experience planning experts to amplify the role of empathy in changing buyer behavior. She spent her most recent years developing award-winning digital marketing and commerce strategies for Beltone, Glanbia Sports Nutrition, Michelin, Wrigley, J&J, Unilever and Mondelez International. As a life-long learning advocate, Brenda just finished advanced marketing strategy, analytics, and technology certification from Northwestern.  And she recently earned her Brain-Based Coaching credentials from the NeuroLeadership Institute on her path toward ICF certification and her consulting practice.  These additional expertise areas amplify Brenda’s commitment to the power of words and her focus on Right Livelihood in both corporate and non-profit settings. Brenda heads the TLA Network’s membership campaign.

The TLA Network is governed by a council, the membership of which is arrived upon annually. In council, we come together as equals, all drawing on our gifts and working with our challenges cooperatively to forward the mission of the Network. 

Purposeful Memoir and a Thriving Future — Jennifer Browdy

Jennifer Browdy, who is teaching “The Elemental Journal of Purposeful Memoir” as an online class for the TLA Network starting March 18, recently wrote a marvelous essay, “Purposeful Memoir as a Path to a Thriving Future,” published in The Artful Mind.

You can read Jennifer’s essay about how we can make the world a little better through telling our story in this precious time here.

To learn more about Jennifer’s class, please visit her class description here.

Don’t Miss “Your Memoir as Monologue” with Kelly DuMar!

Kelly DuMar is teaching an online six-week workshop, Your Memoir as Monologue: Writing Monologues for Healing and Transformation, starting January 15, 2020. Kelly is a poet, playwright and expressive arts workshop facilitator who has been a leader of new play development in the Boston area for over fifteen years. She founded and produces the Our Voices Festival of Women Playwrights at Wellesley College, now in its 13th year and she teaches the weeklong Play Lab at the International Women’s Writing Guild Annual Conference. Her plays have been performed around the US and beyond and are published by dramatic publishers. Here’s a short interview with her on this class:

What inspired me to teach this class?

I love monologues. Listening to them, helping others write them, and writing them myself. First person narratives are gripping invitations to audiences, particularly when they present a dramatic journey, and moments of survival of someone – a person, a character – who has enlisted my compassion and concern

Don’t you love the invitation to enchantment? The theatre, darkened, the stage lit. Whether I’m in the audience or the playwright, I’m involved and transported by possibility. The theatrical question, What if. . . is an invitation to be enlightened, and changed through storytelling.

I love helping writers tell powerful stories on the stage – particularly those whose voices and stories have been unheard, silenced, trivialized or marginalized. Thirteen years ago, I founded a play festival, Our Voices, for new and experienced women playwrights to have a uniquely supportive place to develop their stories for the stage. Our Voices is an all day play lab that has supported nearly 150 women playwrights to develop plays with actors and directors. I love how one participant describes her experience in Our Voices, because she nails why writing monologues based on life experience can be so validating:

“Writing is my solace and joy, coming to me in bursts of laughter or darkness.  I have stories to tell yet, at times, I shrink from sharing, doubting my own voice.  Through more workshops and conversation, I hope to strengthen that confidence in my point of view and reinvigorate the process to write the things I don’t yet dare to consider.”

How is writing for the page different from writing for the stage?

Collaboration with other artists is illuminating, joyful, and challenging – and writing for the stage requires it. Sitting day to day at one’s desk can be lonely. But writing for the stage invites us into a theatre – a rehearsal, into a relationship with actors, directors, and audiences. Here’s what an Our Voices participant shared about writing for the stage: “One of the things I love most about writing plays is the possibility of witnessing one’s words and dramatic vision come alive on stage.”

Writing monologues for the stage makes the healing power of writing visible, visceral and accessible – not just for the playwright, but the audience as well. People are so amazingly resilient! Writing monologues for the stage is a natural way to find out how resilient you are – and sharing what you write inspires other people to feel hopeful and resilient.

What are some of your favorite dramatic monologues? 

My favorite is definitely Emily Webb’s “Goodbye,” monologue in Thornton Wilder’s classic play, Our Town. What moves me in a dramatic monologue is when a character goes on a compelling emotional journey and takes me with her – she begins in one place and ends in another – she’s more awakened, and so am I.

Watch these Youtube videos of two different performances of the Emily Webb role – the first is from a movie: https://www.youtube.com/watch?v=hCLHkaHOO80

Here’s the same monologue in a recording of a stage performance: https://www.youtube.com/watch?v=xmCnzU5uZUY

What can students in this class expect?

We need spaces where we can give ourselves permission to un-silence our deepest truths and most authentic self. In Memoir as Monologue, I facilitate a safe, supportive, healing environment for writers to tap into their deep feelings and beliefs and find the courage and skill to share them for personal growth and craft them for performance. Participants can expect to express ordinary and extraordinary life experiences, and feelings and construct powerful, dramatic stories with universal appeal. Scripts need to be heard as much as they need to be read. We will have at least two LIVE webinars (held on Zoom) where participants will bring their writing to be read aloud and shared.

Kelly DuMar, M.Ed., C.P., is a poet, playwright and expressive arts workshop facilitator who has been a leader of new play development in the Boston area for over fifteen years. Kelly founded and produces the Our Voices Festival of Women Playwrights at Wellesley College, now in its 13th year, and she teaches the weeklongg Play Lab at the International Women’s Writing Guild. Kelly’s award-winning plays have been produced around the US and Canada, and are published by Brooklyn,HeuerYouth Plays, and Smith & Kraus Audition Anthologies. She’s author of a non-fiction book, Before You Forget: The Wisdom of Writing Diaries for Your Children, and three poetry and prose chapbooks, girl in tree bark, All These Cures and Tree of the Apple. She’s a certified psychodramatist and a playback theatre artist. Kelly is honored to serve on the board of The International Women’s Writing Guild. You can learn more at kellydumar.com. More on her class is here.

Facilitators for a Better World: Meet Our Teachers & Guest Teachers

“The Art of Facilitation: Roots & Blossoms of Facilitation” with Joy Roulier Sawyer & Caryn Mirriam-Goldberg sets sail Jan. 15 – Feb 25. This online class also includes  video-conferencing (easily done through your phone or computer) with people well-versed in facilitating workshops, classes, meetings, coaching, and other sessions for change, community, and transformation. We are thrilled to interactive sessions with Callid Keefe-Perry, Beatric Briggs, and Marianela Medrano (plus one with Joy; Caryn will do such a session in the other class in this series next summer). Here’s some background on our gifted and experienced guest teachers and main teachers:

Callid Keefe-Perry is an Executive Director of ARC: Arts | Religion | Culture, a traveling minister in the Quaker tradition, and an advocate for the arts as a way of deepening spiritual practice. He has been a public school teacher, co-founder of a community theater, and Coordinator of the TLA Network. He thinks it is OK for people to laugh a lot, that power cedes nothing without demands, and that creativity is a vital quality of adaptive and effective leadership. Callid will share a bit about the field of theopoetics and talk about using different modalities for group facilitation and what is gained by doing so.

Beatrice Briggs helps leaders and organizations co-create conditions that make their meetings worthy of people’s time, talent, and energy. 
 As Director of the International Institute for Facilitation and Change, she has worked in over 30 countries with an change-oriented organizations such as UNICEF, World Wildlife Fund, Inter-American Development Bank, and the International Center for Development Research. A native of the United States, has made Mexico her home since 1998 and is fluent in both English and Spanish.

Marianela Medrano is a Dominican writer, poet and a psychotherapist with a Ph.D in psychology whose practice include Acceptance and Commitment Therapy, Mindfulness, and Integral Psychotherapy. The author of numerous poetry books, Medrano’s poetry has been widely published and translated. She is a certified poetry therapist and serves as a mentor/supervisor for the International Federation for Biblio/Poetry Therapy. Medrano’s Tedx Talk can be found here.

The Art of Facilitation Teachers

Caryn Mirriam-Goldberg Ph.D., the 2009-13 Kansas Poet Laureate, is the founder of Transformative Language Arts and the author of 23 books, including Miriam’s Well, a novel; Everyday Magic, memoir, and Following the Curve, poetry. Her previous work includes Needle in the Bone, a non-fiction book on the Holocaust and six poetry collections, including the award-winning Chasing Weather. Mirriam-Goldberg has facilitated community writing workshops widely since 1992 with diverse populations throughout the Midwest, the U.S., and in Mexico, including people living with serious illness, intergenerational communities, women living in public housing, teens and young adults, and humans at large in big-life transitions. She offers one-on-one coaching on writing and right livelihood. She co-leads Brave Voice writing and singing retreats with Kelley Hunt and the Your Right Livelihood training with Laura Packer. You can find her on FacebookTwitterInstagram, and Linkedin. Her Patreon campaign to create transformative writing, workshops, and podcasts and offering patrons weekly inspirations is here.

Joy Roulier Sawyer is the author of two poetry collections, Tongues of Men and Angels and Lifeguards as well as several nonfiction books. Her poetry, essays, and fiction have been widely published. Joy holds an MA from New York University in Creative Writing and a master’s degree in counseling. Her extensive training and experience as a licensed professional counselor and in poetry/journal therapy gives her special expertise in facilitating expressive writing workshops. Joy was selected by poetry therapy pioneers to revise and update Arleen McCarty Hynes’ groundbreaking textbook, Biblio/Poetry Therapy: The Interactive Process. For over a decade, she’s taught at Denver’s Lighthouse Writers Workshop, the largest literary center in the West. Along with her other creative writing and poetry classes, Joy helps facilitate Lighthouses’s Denver Public Library, Arvada Library, and Edgewater Library’s Hard Times workshops, designed for those experiencing homelessness or poverty, as well as the Writing to Be Free program, an outreach for women transitioning out of incarceration. She has also taught at the University of Denver and in the TLA MA program at Goddard College. Find her on Twitter and Instagram.

More on this dynamic class right here.

Why We Believe in the Power of Words!

Some of the members of the TLA Network Council, our governing body, share with you why they believe in our organization, the power of words, and why they just contributed to our fundraising campaign. 

Liz with Lisa Chu, Vanita Leatherwood & Rachel Gabriel

I believe in the TLA Network because it supports a diverse membership of practitioners doing important social justice and community healing work in a time that so desperately needs it. As creative change makers, having such a community is vital to our own practice – it inspires, nourishes, and grows us. It keeps us connected and offers opportunities for us to lift our voices up to make meaningful change in the world. ~ Liz Burke-Cravens

Liz with Power of Words keynoters Gregg Levoy and Noa Baum

I believe in the Power of Words because I have both witnessed and experienced the impact of sharing one’s story, as written or spoken word, and being truly “heard.” This is the action that breaks down barriers and builds and supports community. I believe in the TLA Network because it’s an informed and diverse community that welcomes and honors everyone’s stories. ~ Lyn Ford

I believe in the Power of Words because when we name it, we can tame it. And for many who struggle to be heard or to speak their truth, this commitment to putting our passion into words is not simple or easy. When we are finally able to put our anger or anxiety into words, we create power over what makes us feel powerless. It is through this transformation that we find strength and honor and courage to live our truth. ~ Brenda Mangetti

Joe with his wife Jennifer at the Power of Words conference

I believe in the Power of Words because I have seen their effect on countless occasions. Whether by sparking a fire in one’s heart or calming an inferno in one’s mind, the right words, at the right time, can lead to an undeniable change in a person’s life. ~ Joe Maldonaldo

 

Caleb with a friend at the Power of Words conference

I believe in the Power of Words because good words are like good food: they nourish us, warm our hearts, and prepare us for what lies ahead.I believe in the TLA Network because the work of transformation is not something we can do alone. The Network offers so much value to my artistry — to learn, to connect with others, and to discern where my voice is most needed. ~ Caleb Winebrenner

You believe in the power of words to change lives, build communities, and transform our world. With a few clicks, you can help us grow TLA in the world. Thank you so much for contributing whatever you can!

End-of-Season Sale on classes & Power of Words Conference

The TLA Network wishes you great peace and harmony as we head toward the end of the year – may you find quiet moments to connect with your voice and your vision during these long winter nights!

There is still time to take advantage of our end-of-season sales on upcoming online classes, as well as time to catch the limited Super Early Bird rate for the 2020 Power of Words Conference – see below for details.

Online Classes Holiday Sale – ends December 25:
Your Memoir as Monologue: Writing Monologues for Healing and Transformation// with Kelly DuMar
January 15 – February 25, 2020
Members – $198.00 – 10% off regular rate
Non-member – $216.00 – 10% off regular rate

The Art of Facilitation: Roots and Blossoms of Facilitation // with Caryn Mirriam-Goldberg & Joy Roulier Sawyer
January 15 – February 25, 2020
Members – $225.00 – 10% off regular rate
Non-member – $243.00 – 10% off regular rate

The Art of Facilitation, Pt 2: Facilitating for Change & Community // with Caryn Mirriam-Goldberg & Joy Roulier Sawyer
June 10 – July 21, 2020
Members – $225.00 – 10% off regular rate
Non-member – $243.00 – 10% off regular rate

Truth to Power: Poets for Our Times with Poets Laureate // with Caryn Mirriam-Goldberg
Through January 31, 2021
Members – $117.00 – 10% off regular rate
Non-member – $135.00 – 10% off regular rate

Narratives of Self & Society: Writing Life Stories for Change // with Dr. Liz Burke-Cravens
Through January 31, 2021
Members – $117.00 – 10% off regular rate
Non-member – $135.00 – 10% off regular rate

Power of Words 2020 – Super Early Bird Rate
$45 off regular rate for conference fee & meals, available through January 31, 2020:
$430 for members
$450 for non-members
Conference registration fee includes all meals, refreshments, and facilities fees throughout the conference.

When Someone Truly “Gets” Us: A Letter From One of Our Founders

Dear TLAers,

I fell in love with poetry when I was 14, and it saved my life. It wasn’t just filling up journals that gave me meaning, vitality, and sometimes even joy in a traumatic time, but what happened when good witnesses found me and my writing. Having someone truly “get us” — who we are, what we have to say, and what we’re capable of — is at the heart of Transformative Language Arts and this emerging field, profession, and practice.

Like you, I’ve witnessed the continual miracles TLA brings to our lives. That’s why I’m writing you to ask for your support for the TLA Network today, an organization I helped found with others who resonate with writing, storytelling, theater, and other arts for social and personal transformation. Since we launched in 2005, we’ve become a thriving gathering place for people called to teach, heal, advocate, facilitate, organize, and guide people in our ailing world. 

With Grace Paley at the 2006 Power of Words conference

That’s why I’m writing you to ask for your support for theTLA Network today, an organization I helped found with others who resonate with writing, storytelling, theater, and other arts for social and personal transformation. Since we launched in 2005, we’ve become a thriving gathering place for people called to teach, heal, advocate, facilitate, organize, and guide people in our ailing world. 

  • We offer classes to help us amplify our voices and clarify our visions through writing, storytelling, theater, and other arts. 
  • Our 17th annual Power of Words conference, featuring Joy Harjo, will bring us together to learn from each other and find greater ways to sustain our work and ourselves. 
  • The TLA Foundations certification is a deep immersion into TLA theory and practice. 
  • Your Right Livelihood, an intensive training, helps people in the arts, healing arts and social change arts find ways to make a living and a difference. 
  • Our blog and creative, professional journal, Chrysalis, give us a forum to share our experiences, art, and scholarship. 

In the last year, we’ve leapt forward with a wonderful half-time managing director, Hanne Weedon. We’ve strengthened our council, the governing body for TLAN, through the leadership of Liz Burke-Cravens. Many of us feel like we’re on the cusp of significant growth at a time when it’s even more important for people to use their voices for positive change, including how the arts can bridge polarized communities.

Your contribution can bolster scholarships for our conference, classes, trainings, and provide general support for us to grow our capacity to do good in the world. Please also consider, if you haven’t already, renewing your membership or joining us. You can contribute easily and quickly right here.

Wishing us all the power of words for a better world,

Caryn Mirriam-Goldberg

P.S. If you have a birthday coming up and you’re on Facebook, how about birthday fundraiser for TLAN (we’re part of the Network for Good organizations)?