Being Broken, by Janet Toone

Editor’s Note: As some of you may know, the TLA Network offers a Certification program. Chronicling TLA practice is a part of that process, which can be fulfilled by writing multiple pieces for the blog. This is the first piece by monologist Janet Toone.


I have written pieces for a number of workshops. Since my background includes a childhood of chronic complex trauma, some of my pieces focus on my C-PTSD recovery. In each course, I learned far more than I had anticipated I would learn about the healing process and different avenues for both viewing and facilitating that healing process. This is a monologue I wrote for Kelly DuMar’s “Your Memoir as Monologue” course.

BEING BROKEN

(Mature woman reminiscing about being broken. She is talking to a friend.)

I know about feeling broken. I suppose this is one of the big beginnings of my brokenness.

I was five years old. We lived in a tiny tarpaper shack with no running water, no electricity and no inside walls. When you were inside you could see the cracks between the outside rough knotted pine boards nailed to the two by four frame.

My father’s name was Bob. Since I have been an adult I have never been able to call him Dad or father. Bob stood with his hands on his hips, the bare incandescent light bulb glaring against the rafters. The rough wood floor was littered with clothes and paper beneath the bare table.

I glanced out the open door where I could see the dirt and rocks. I wanted to run, but I knew I dare not run.

On my back, I could feel the heat of the wood range where we cooked. I held my breath as he loomed over me and sneered, “We don’t want you anymore, so we are going to send you to an orphanage.”

His green eyes held some combination of glaring contempt and the look of a predator studying its prey. That look on his round face always chilled me to the bone.

My first thought was, “What’s an orphanage?” I knew better than to ask him.

About a week later, my aunt came to visit. I asked her, “What is an orphanage?”

I remember how I savored her reply. “An orphanage is where children who don’t have a family to love them are taken to be cared for until someone who will love them adopts them.”

I was ready to go.

I waited.

I waited through seasons, like a kid waits for Christmas.

One particular early summer day, we were in the second shack. Bob was screaming, and swearing at my brothers, “You stupid #$*&@#$#@#$*& I should beat you until you can’t stand up.”

I stood watching Bob’s volatile reaction and I thought, “Okay, enough of this. We’re out of here.”

Aloud, I asked. “When are we going to the orphanage?”

His response burned into my body and my soul, “You are so stupid and so bad, no one would want you, so we are going to keep you here and have you work for us.”

My heart sank in disappointment. The orphanage wasn’t going to be my great escape.


Janet Toone is a certified counselor, writer, storyteller, and survivor of complex chronic childhood trauma. The combination of living decades with the effects of C-PTSD and finding treatment providers who could provide neither an understanding of the effects of complex chronic trauma nor a therapeutic framework for recovery and her work with dual diagnosis substance abusing adolescents, many of whom had experienced trauma, amplified her resolve to explore the therapeutic process for trauma recovery work.

She is particularly interested in the role of Transformative Language Arts and arts in general in providing guidelines to developing a safe environment to explore recovery needs, in developing resiliency in victims, and ultimately in providing narrative structure with the goal of creating and externalizing objective views of trauma experiences.

Her areas of focus and interest include complex chronic childhood trauma, child witnesses of trauma, victims of sexual assault, victims of domestic violence and intergenerational family trauma.

Three Little Kids on a Log, by Laurie Pollack

Editor’s Note: As some of you may know, the TLA Network offers a Certification program. Chronicling TLA practice is a part of that process, which can be fulfilled by writing multiple pieces for the blog. This is the fifth post from Laurie Pollack, a poet and artist currently pursuing certification. You can find her earlier posts here.


signed up for an all-day write-a-thon. I had wanted to attend one of these for a long time, but something else always came up. I had never attended one, but had heard some good things about it.

I read from the description we would be writing “to prompts.” I expected a series of exercises where we would be given a prompt, write to it, and do some sharing; then on to the next prompt, throughout the day. Safe. Routine. Predictable.

Instead, it was very different. We sat down, were given a page of around 30 prompts and were told to just write.

I found this challenging, especially for my concentration. I am usually a quick thinker AND quick writer. But after around an hour, I found it challenging to stay focused. I wanted to get up and turn on my phone. I wanted to go outside. I wanted to read/ relax/ filter/ withdraw. It was intense. I felt uneasy. Just being there with my writing.

For the first few hours, I played around. The writing I did was fun, but it didn’t really resonate with me. Then, nearing the end, something finally “clicked”. It was as if all the previous writing was the warm up, preparing me for this as it wanted to come out. It just poured out.

The prompt was: “Three little boys are sitting on a log in a forest by a stream. One of them looks up at the sky”.

The poem reflects a lot from my spiritual path/and background. I was brought up Unitarian. My ancestral heritage is Judaism. I attend Quaker meetings, and belong to a feminist women’s Goddess tradition called Mystai of the Moon. All of these religious paths have one thing in common: the belief that there is no intermediary between the seeker/worshiper and Source. No authority who can tell one what to think. Personally, I don’t believe that any of us can really know ALL or even a lot of what/who/God/Goddess/Spirit/Creator really, so each human being (and who knows? Even every squirrel?) has, not Truth, but a small part of the truth.

And the story that emerged in my day of writing reminds me a lot of the story of the Blind Men and the Elephant.

Three Little Kids on a Log

Three little kids sit down in a forest by a stream. One of them looks up at the sky.
He hears a booming, majestic voice saying:
“I am the source of truth! I am absolutely right! You are powerless. You must submit to me and obey me in everything!”

Three little kids sit down in a forest by a stream. One of them looks up at the sky.
She hears a gentle soft voice saying:
“I am the Goddess! I am the nurturer, the Mother. I bring you love and compassion!”

Three little kids sit down in a forest by a stream. One of them looks up at the sky.
He hears a calm, measured voice saying:
“The only truth is within.”

Three little kids sit down in a forest by a stream. One of them looks up at the sky.
She hears only silence.

Three little kids sit down in a forest by a stream. One of them looks up at the sky.
He hears many many voices all talking at the same time. He doesn’t understand what they are saying.

Three little kids sit down in a forest by a stream. One of them looks up at the sky.
She sees and feels, the bugs crawling on the log. She scratches her arm.

Three little kids sit down in a forest by a stream. One of them looks up at the sky.
He looks down at the log and decides to move it. It is too heavy to move.

Three little kids sit down in a forest by a stream. One of them looks up at the sky.
He doesn’t see much up there. He looks down at the log. It seems like a pretty ordinary log. Nothing much. He wishes he could chop up the log and make a more comfortable bench with it. He thinks he could make some money selling benches that are made from logs. He finds an ax and starts to chop down some trees.

Three little kids sit down in a forest by a stream. One of them looks up at the sky.
She hears a hateful voice screaming:
“The other voices are all demons! The little girls who listen to them are heretics! They must all be destroyed! They must all be killed!”

Three little kids sit down in a forest by a stream. All three of them look up at the sky.
They see different things so they start to argue about what they saw. They start throwing stones at each other. One little kid falls down and doesn’t get up again.

Three little kids sit down in a forest by a stream. One of them looks up at the sky.
He sees only clouds. Dark storm clouds. He runs and hides from the clouds. Digs himself a hole in the ground.

Three little kids sit down in a forest by a stream. One of them looks up at the sky.
She feels that she should cleanse herself. Purify herself. She jumps in the stream and bathes. She doesn’t feel any cleaner.

Three little kids sit down in a forest by a stream. One of them looks up at the sky.
He stands up, sits down, closes his eyes. And sits. And breathes.

Three little kids sit down in a forest by a stream. One of them looks up at the sky.
She hears a voice saying “Go and find food. “ She sees some berries and she offers some to the other little kids. They all enjoy eating together.

Three little kids sit down in a forest by a stream. None of them look at the sky.
They look into each other’s eyes. They all hold hands and they start to dance.

Writing Truth & Beauty: Using Photography for Inspiration, with Kelly DuMar

Editor’s Note:  Presenters at the Power of Words Conference wanted to share about their work. This week, we feature a couple of those that did not get posted before the conference.

Kelly DuMar shares about her workshop.


Writing Truth & Beauty – Using Your Personal Photos For Creative Inspiration and Healing

aunt-marionWe all take and treasure photographs of the people, places and things that bring meaning and beauty into our lives. Photo albums and unsorted pictures may fill our attics and basements or cover our walls in frames. We store them on our computers and cell phones and share them instantly on social media. Each of us is generating and storing an amazing archive of inspiration. Have you mined the creative writing potential of your photo stream?

My workshop at The Power of Words Conference helps you explore your pictures in poetry and prose. What do you take pictures of? What do you want to preserve? What moves and mystifies you? Who are the people, places, things & experiences that bring meaning, healing and transformation into your life? This is how we will write together.

My Writing Truth & Beauty process guides you to explore the unspoken world of your images. By asking yourself questions, you’ll generate remarkable raw material that reveals insight and emotion you can shape into beautiful, original writing. You’ll start by sharing a photo with other participants, exploring why you chose it, then reflect on probing questions to generate your raw material. You’ll craft a first draft you can share if you choose. Then we’ll explore ideas and suggestions for expansion.

Writing Truth & Beauty from personally chosen helps you:

  • Find creative inspiration in unexpected places
  • A truth you didn’t know you knew
  • A new idea about an old belief
  • A transformative personal revelation, insight or awareness that allows you to live more meaningfully
  • Something you have been unable to see/express/articulate that leads you to a new way of knowing yourself or others and changes your response to the community/world

Here’s a personal photo I spontaneously snapped in an unexpected place – my father’s Alzheimer’s unit. This photo haunted me for days and weeks until I finally sat down and unpacked the story of its beautiful mystery. Here it is, paired with the writing it inspired, bearing a truth a didn’t know I knew, a new awareness, a revelation and a new way of understanding my father’s legacy of love.

Are You Doing the Wonderful?

It’s a sunny summer morning and Memory Care is pleasantly chaotic, chatty with Sunday visitors looking for the one they belong to. My sister and her first granddaughter are visiting my father when I arrive. His first – his only – great granddaughter is looking up into his eyes from her seat on his lap. He no longer has words to call her by name. And her exact relationship to him is a sweet kind of mystery. But his smile shows he is certain this girl on his lap is wonderful.

dad-alaina-bw-copy-2

We all need the blessing of someone special who believes wholeheartedly in our wonderfulness long before we have reason to believe in it ourselves. Someone who expects us to do wonderful things with the gifts we’ve been given. For some it’s a parent, best friend or a spouse, a teacher or mentor, even a child. It may come from someone we’ve never met in person. Maybe it comes from a spiritual source, like the voice of God in Rumi’s poem, Prayer is an egg, translated by Coleman Barks –

On Resurrection Day God will say, “What did you do with
the strength and energy

your food gave you on earth? How did you use your eyes?
What did you make with

your five senses while they were dimming and playing out?”

We need to hear the voice so we can internalize this voice – make it our own, to believe we are wonderful, we can be wonderful, we have wonderful work to do in the world before we leave it. So many things get in the way of wonderful. Self-doubt is a paralyzing. We need to keep this voice of belief in our wonderfulness somewhere deep inside yet readily accessible.

My father no longer has the words to say what a picture shows. He wants his great grand daughter to know her wonderfulness been seen – and recognized. He wants her to imagine his voice, picture his smile in a moment she’s lacking confidence or grace or energy. He has held her and looked into her eyes so he trusts. He trusts her to risk doing her wonderful work in the world.

If you couldn’t make it to the workshop in person, you can download my free pdf guide, Writing Truth & Beauty – Using Your Photos for Creative Inspiration by subscribing to my monthly newsletter at http://www.kellydumar.com


Let’s Talk TLA Blog October 2015-1Kelly DuMar is a playwright and poet who facilitates Writing Truth & Beauty workshops for creative writers across the US. Her award-winning poetry chapbook, All These Cures, was published by Lit House Press in 2014 and her plays are published by dramatic publishers. Her newest chapbook, Tree of the Apple, poems and prose inspired by her father’s Alzheimer’s, is forthcoming by Two of Cups Press. Kelly passionately supports women writers to develop new work in her roles as a board & faculty member of The International Women’s Writing Guild, as well as founder & producer of the Our Voices Festival of Women Playwrights held at Wellesley College, now in its 10th year. She is a TLAN Council Member who produces the Let’s Talk TLA bi-monthly video conference. Her website is kellydumar.com, and you can follow her on Twitter & Instragram @Kellydumar

“A Dream” One Woman Show, by Juanita Kirton

Editor’s Note:  Presenters at the Power of Words Conference wanted to share about their work. This week, we feature a couple of those that did not get posted before the conference.

Juanita Kirton shares about her show.


The monologue that I created started out as a poem in the voice of a slave women who dreams of what it would be like to be free. Her dreams take her on a magnificent journey, from the fields of cotton/tobacco to Nova Scotia. She experience true love and loss. Through her dreams she is able to mentally escape the horrors of slavery.

I wanted to expand my poem and create space between the various places/times. I sing with the Riverside Church Inspirational Choir, in NYC and it became apparent that I could use music to separate my stanzas. I did some research and added spirituals between the different places & scenes for the character. The piece transformed itself from just words on paper to words & music. The songs gave the character some time to reflect on her journey.
In October, 2013 a member of WWW (Women Who Write) put out a call for 10min stage readings. I ask if a long poem could be considered. She told me to come and audition. It was accepted and I performed a stage reading at Watchung Arts Center in NJ. The house was packed, I was very nervous, but it went well, with a great response. As with all writing, edits are always occurring. I added some authentic African history to this piece and gave the female character a real name to honor my spouse’s mother. Now, “A Dream” arrived at Power of Words Conference. I am excited to have part of this experience, thank you for the opportunity to share my work.

screenshot-2016-09-11-at-15-48-20Juanita Kirton holds a BA in Psychology, an MEd in Special Education, a PhD Educational Administration and a PhD in Developmental Disabilities. In 2015 she obtained a MFA from Goddard College in the Creative Writing/Poetry track. Juanita sings with Riverside Church Inspirational Choir, is a member of Rutgers University South African Initiative Brain Trust Committee, the Pocono Mountain Arts Council, the Pocono Mountain African American Network, volunteers with several local organizations.

Juanita facilitates the Blairstown Writers group in New Jersey, which is affiliated with Women Who Write in NJ and participates in the Women Reading Aloud workshop series. She directs the QuillEssence Writing Collective that coordinates an annual women’s writing retreat at Kirkridge Retreat Center in Bangor, PA, and is currently a poetry editor for the Goddard College Clock House Literary Journal.

Meet International Storyteller for Peace Kiran Singh Sirah

kiranKiran Singh Sirah is now the president of the International Storytelling Center in Jonesborough, TN, a long way and many stories from where his life began as part of a Ugandan Asian refugee family that landed in England after Idi Amin expelled all Ugandan Asians under the threat of execution. In his excellent Tedx Talk Nashville on “Storytelling: A Powerful Peace,” Sirah says,

I was born in England. My mother was born in Kenya. My father was born in India. My brother was born in Uganda. My own family is a mini United Nations, and we’re all storytellers, keeping the old traditions alive, and finding new ones. Stories are always crossing borders. I spent the first part of my career in Scotland, and now I’m here in the U.S.—with my own stories, and the stories I’ve inherited from my family. And there are so many ways to do that, through personal stories, folk tales, pieces of history, and other forms that we haven’t even thought of yet.

He goes on to talk about the power of storytelling to bring us to peace and community across and within borders. Listen to the whole talk here.

Currently in his role with the International Storytelling Center, Sirah organizes events, raises funds, and plans programs to help people around the world “make a difference by discovering, capturing, and sharing their stories.” Learn more about ISC here.

Siran also shares this a free downloadable toolkit with TLAers on  “Telling Stories That Matter: A Toolkit for Exploring Your Potential as a Storyteller.”