Join us for the 17th annual Power of Words Conference in Santa Fe, New Mexico, October 30 – November 1, 2020.
Get $45 off the regular conference fee – the super early bird rate is available through Friday, January 31!
Featuring U.S. Poet Laureate Joy Harjo as conference keynoter, the conference will take place at the Eldorado Hotel & Spa, in the heart of Santa Fe.
Our conference brings together writers, storytellers, performers, musicians, educators, healers, activists, health professionals, community leaders and more.
We invite your proposals for experiential, didactic, and/or performance-based sessions that focus on writing, storytelling, drama, film, songwriting, and other forms of Transformative Language Arts.
Submission deadline is March 31.
We encourage proposals from people targeted by racism, low-income people, people with disabilities, queer-identified people, and people of transgender and/or gender non-conforming experience.
|Empathy. It’s a powerful experience to understand someone else’s condition from their point of view. Brenda Magnetti has built a strong industry reputation for being one of the best brand experience planning experts to amplify the role of empathy in changing buyer behavior. She spent her most recent years developing award-winning digital marketing and commerce strategies for Beltone, Glanbia Sports Nutrition, Michelin, Wrigley, J&J, Unilever and Mondelez International. As a life-long learning advocate, Brenda just finished advanced marketing strategy, analytics, and technology certification from Northwestern. And she recently earned her Brain-Based Coaching credentials from the NeuroLeadership Institute on her path toward ICF certification and her consulting practice. These additional expertise areas amplify Brenda’s commitment to the power of words and her focus on Right Livelihood in both corporate and non-profit settings. Brenda heads the TLA Network’s membership campaign.|
The TLA Network is governed by a council, the membership of which is arrived upon annually. In council, we come together as equals, all drawing on our gifts and working with our challenges cooperatively to forward the mission of the Network.
Jennifer Browdy, who is teaching “The Elemental Journal of Purposeful Memoir” as an online class for the TLA Network starting March 18, recently wrote a marvelous essay, “Purposeful Memoir as a Path to a Thriving Future,” published in The Artful Mind.
You can read Jennifer’s essay about how we can make the world a little better through telling our story in this precious time here.
To learn more about Jennifer’s class, please visit her class description here.
Kelly DuMar is teaching an online six-week workshop, Your Memoir as Monologue: Writing Monologues for Healing and Transformation, starting January 15, 2020. Kelly is a poet, playwright and expressive arts workshop facilitator who has been a leader of new play development in the Boston area for over fifteen years. She founded and produces the Our Voices Festival of Women Playwrights at Wellesley College, now in its 13th year and she teaches the weeklong Play Lab at the International Women’s Writing Guild Annual Conference. Her plays have been performed around the US and beyond and are published by dramatic publishers. Here’s a short interview with her on this class:
What inspired me to teach this class?
I love monologues. Listening to them, helping others write them, and writing them myself. First person narratives are gripping invitations to audiences, particularly when they present a dramatic journey, and moments of survival of someone – a person, a character – who has enlisted my compassion and concern
Don’t you love the invitation to enchantment? The theatre, darkened, the stage lit. Whether I’m in the audience or the playwright, I’m involved and transported by possibility. The theatrical question, What if. . . is an invitation to be enlightened, and changed through storytelling.
I love helping writers tell powerful stories on the stage – particularly those whose voices and stories have been unheard, silenced, trivialized or marginalized. Thirteen years ago, I founded a play festival, Our Voices, for new and experienced women playwrights to have a uniquely supportive place to develop their stories for the stage. Our Voices is an all day play lab that has supported nearly 150 women playwrights to develop plays with actors and directors. I love how one participant describes her experience in Our Voices, because she nails why writing monologues based on life experience can be so validating:
“Writing is my solace and joy, coming to me in bursts of laughter or darkness. I have stories to tell yet, at times, I shrink from sharing, doubting my own voice. Through more workshops and conversation, I hope to strengthen that confidence in my point of view and reinvigorate the process to write the things I don’t yet dare to consider.”
How is writing for the page different from writing for the stage?
Collaboration with other artists is illuminating, joyful, and challenging – and writing for the stage requires it. Sitting day to day at one’s desk can be lonely. But writing for the stage invites us into a theatre – a rehearsal, into a relationship with actors, directors, and audiences. Here’s what an Our Voices participant shared about writing for the stage: “One of the things I love most about writing plays is the possibility of witnessing one’s words and dramatic vision come alive on stage.”
Writing monologues for the stage makes the healing power of writing visible, visceral and accessible – not just for the playwright, but the audience as well. People are so amazingly resilient! Writing monologues for the stage is a natural way to find out how resilient you are – and sharing what you write inspires other people to feel hopeful and resilient.
What are some of your favorite dramatic monologues?
My favorite is definitely Emily Webb’s “Goodbye,” monologue in Thornton Wilder’s classic play, Our Town. What moves me in a dramatic monologue is when a character goes on a compelling emotional journey and takes me with her – she begins in one place and ends in another – she’s more awakened, and so am I.
Watch these Youtube videos of two different performances of the Emily Webb role – the first is from a movie: https://www.youtube.com/watch?v=hCLHkaHOO80
Here’s the same monologue in a recording of a stage performance: https://www.youtube.com/watch?v=xmCnzU5uZUY
What can students in this class expect?
We need spaces where we can give ourselves permission to un-silence our deepest truths and most authentic self. In Memoir as Monologue, I facilitate a safe, supportive, healing environment for writers to tap into their deep feelings and beliefs and find the courage and skill to share them for personal growth and craft them for performance. Participants can expect to express ordinary and extraordinary life experiences, and feelings and construct powerful, dramatic stories with universal appeal. Scripts need to be heard as much as they need to be read. We will have at least two LIVE webinars (held on Zoom) where participants will bring their writing to be read aloud and shared.
Kelly DuMar, M.Ed., C.P., is a poet, playwright and expressive arts workshop facilitator who has been a leader of new play development in the Boston area for over fifteen years. Kelly founded and produces the Our Voices Festival of Women Playwrights at Wellesley College, now in its 13th year, and she teaches the weeklongg Play Lab at the International Women’s Writing Guild. Kelly’s award-winning plays have been produced around the US and Canada, and are published by Brooklyn,Heuer, Youth Plays, and Smith & Kraus Audition Anthologies. She’s author of a non-fiction book, Before You Forget: The Wisdom of Writing Diaries for Your Children, and three poetry and prose chapbooks, girl in tree bark, All These Cures and Tree of the Apple. She’s a certified psychodramatist and a playback theatre artist. Kelly is honored to serve on the board of The International Women’s Writing Guild. You can learn more at kellydumar.com. More on her class is here.
“The Art of Facilitation: Roots & Blossoms of Facilitation” with Joy Roulier Sawyer & Caryn Mirriam-Goldberg sets sail Jan. 15 – Feb 25. This online class also includes video-conferencing (easily done through your phone or computer) with people well-versed in facilitating workshops, classes, meetings, coaching, and other sessions for change, community, and transformation. We are thrilled to interactive sessions with Callid Keefe-Perry, Beatric Briggs, and Marianela Medrano (plus one with Joy; Caryn will do such a session in the other class in this series next summer). Here’s some background on our gifted and experienced guest teachers and main teachers:
Callid Keefe-Perry is an Executive Director of ARC: Arts | Religion | Culture, a traveling minister in the Quaker tradition, and an advocate for the arts as a way of deepening spiritual practice. He has been a public school teacher, co-founder of a community theater, and Coordinator of the TLA Network. He thinks it is OK for people to laugh a lot, that power cedes nothing without demands, and that creativity is a vital quality of adaptive and effective leadership. Callid will share a bit about the field of theopoetics and talk about using different modalities for group facilitation and what is gained by doing so.
Beatrice Briggs helps leaders and organizations co-create conditions that make their meetings worthy of people’s time, talent, and energy. As Director of the International Institute for Facilitation and Change, she has worked in over 30 countries with an change-oriented organizations such as UNICEF, World Wildlife Fund, Inter-American Development Bank, and the International Center for Development Research. A native of the United States, has made Mexico her home since 1998 and is fluent in both English and Spanish.
Marianela Medrano is a Dominican writer, poet and a psychotherapist with a Ph.D in psychology whose practice include Acceptance and Commitment Therapy, Mindfulness, and Integral Psychotherapy. The author of numerous poetry books, Medrano’s poetry has been widely published and translated. She is a certified poetry therapist and serves as a mentor/supervisor for the International Federation for Biblio/Poetry Therapy. Medrano’s Tedx Talk can be found here.
Caryn Mirriam-Goldberg Ph.D., the 2009-13 Kansas Poet Laureate, is the founder of Transformative Language Arts and the author of 23 books, including Miriam’s Well, a novel; Everyday Magic, memoir, and Following the Curve, poetry. Her previous work includes Needle in the Bone, a non-fiction book on the Holocaust and six poetry collections, including the award-winning Chasing Weather. Mirriam-Goldberg has facilitated community writing workshops widely since 1992 with diverse populations throughout the Midwest, the U.S., and in Mexico, including people living with serious illness, intergenerational communities, women living in public housing, teens and young adults, and humans at large in big-life transitions. She offers one-on-one coaching on writing and right livelihood. She co-leads Brave Voice writing and singing retreats with Kelley Hunt and the Your Right Livelihood training with Laura Packer. You can find her on Facebook, Twitter, Instagram, and Linkedin. Her Patreon campaign to create transformative writing, workshops, and podcasts and offering patrons weekly inspirations is here.
Joy Roulier Sawyer is the author of two poetry collections, Tongues of Men and Angels and Lifeguards as well as several nonfiction books. Her poetry, essays, and fiction have been widely published. Joy holds an MA from New York University in Creative Writing and a master’s degree in counseling. Her extensive training and experience as a licensed professional counselor and in poetry/journal therapy gives her special expertise in facilitating expressive writing workshops. Joy was selected by poetry therapy pioneers to revise and update Arleen McCarty Hynes’ groundbreaking textbook, Biblio/Poetry Therapy: The Interactive Process. For over a decade, she’s taught at Denver’s Lighthouse Writers Workshop, the largest literary center in the West. Along with her other creative writing and poetry classes, Joy helps facilitate Lighthouses’s Denver Public Library, Arvada Library, and Edgewater Library’s Hard Times workshops, designed for those experiencing homelessness or poverty, as well as the Writing to Be Free program, an outreach for women transitioning out of incarceration. She has also taught at the University of Denver and in the TLA MA program at Goddard College. Find her on Twitter and Instagram.
The TLA Network wishes you great peace and harmony as we head toward the end of the year – may you find quiet moments to connect with your voice and your vision during these long winter nights!
There is still time to take advantage of our end-of-season sales on upcoming online classes, as well as time to catch the limited Super Early Bird rate for the 2020 Power of Words Conference – see below for details.
Online Classes Holiday Sale – ends December 25:
Your Memoir as Monologue: Writing Monologues for Healing and Transformation// with Kelly DuMar
January 15 – February 25, 2020
Members – $198.00 – 10% off regular rate
Non-member – $216.00 – 10% off regular rate
The Art of Facilitation: Roots and Blossoms of Facilitation // with Caryn Mirriam-Goldberg & Joy Roulier Sawyer
January 15 – February 25, 2020
Members – $225.00 – 10% off regular rate
Non-member – $243.00 – 10% off regular rate
The Art of Facilitation, Pt 2: Facilitating for Change & Community // with Caryn Mirriam-Goldberg & Joy Roulier Sawyer
June 10 – July 21, 2020
Members – $225.00 – 10% off regular rate
Non-member – $243.00 – 10% off regular rate
Truth to Power: Poets for Our Times with Poets Laureate // with Caryn Mirriam-Goldberg
Through January 31, 2021
Members – $117.00 – 10% off regular rate
Non-member – $135.00 – 10% off regular rate
Narratives of Self & Society: Writing Life Stories for Change // with Dr. Liz Burke-Cravens
Through January 31, 2021
Members – $117.00 – 10% off regular rate
Non-member – $135.00 – 10% off regular rate
Power of Words 2020 – Super Early Bird Rate
$45 off regular rate for conference fee & meals, available through January 31, 2020:
$430 for members
$450 for non-members
Conference registration fee includes all meals, refreshments, and facilities fees throughout the conference.
Thank you for being part of the Transformative Language Arts Network. Our network continues to grow, and we are delighted to be building community with you – one of the powerhouse poets, writers, word-smiths, spoken word artists, storytellers, and deeply engaged community activists, health professionals, educators and others who make up our incredible network!
We write to ask you to consider making a contribution to support the work of the TLA Network, a not-for-profit, 501(c)(3) organization.
Your contribution will go far in helping us expand our reach, and build on our Power of Words conference, online classes, Chrysalis: A Journal of TLA, and blog to offer all kinds of communities ways to amplify voices and visions for a better world.
The TLA Network serves as a supportive community of thoughtful and engaged practitioners, activists, health professionals, educators, and community leaders dedicated to making the world a better place. In these times, finding our voice, sharing our words, and pulling people together to effect change through the power of words is especially essential. With the rise of corporate-controlled media and the increasingly fractured world of social media, it is crucial that our work and our voices find solid purchase, that we develop new audiences, and that our words continue to serve as invaluable calls to action.
TLAN is also on the cusp of greater reach and effectiveness than ever before with a renewed vision, a new director, and our delight in featuring U.S. Poet Laureate Joy Harjo as our keynoter at our next Power of Words conference, October 30 – November 1, 2020, in Santa Fe, New Mexico.
At our recent Power of Words conference this past September, in Phoenix, Arizona, we met many amazing TLA Network members who eagerly shared what a difference the TLA Network and our conference make in their lives. In the short time since we started our roles as TLA Network Chair and Managing Director, we have witnessed how many dozens of people find greater meaning, vitality, and connection through our vibrant online classes, the Your Right Livelihood training, and our TLA Foundations certification.
We imagine you’ve experienced your own stories: friendships forged, collaborations created, and enormous good work enacted. People leave our conference, classes, and trainings feeling reconnected, rejuvenated, energized — inspired to continue doing powerful work that changes the world.
We ask you to contribute toward any of the following:
To the power of words,
Hanne Weedon, Managing Director Liz Burke-Cravens, Council Chair
Listen to Caryn Mirriam-Goldberg and Joy Roulier Sawyer talk about how they came to love what can happen when we discover and share our truth in workshops, meetings, and other sessions. For Joy, it started with leading workshops for students at Columbine High School in Colorado after the 1999 shooting, and Caryn found her facilitation legs leading large meetings for people of many backgrounds fighting against a highway that would have impacted the environment, history, and even native American burial mounds.
You can see their upcoming class at www.tlanetwork.org/event-3567618 for more details.
When I began writing the series of monologues for my character, ENVIA! A One-Woman Show, the first scene I imagined was ENVIA! taking charge of an audition after a series of frustrating failures to be cast. It’s a comic monologue I’ll share with you now for the fun of it. I’m teaching “Your Memoir As Monologue” online in January for the Transformative Language Arts Network, and just want to share the fun of writing a comic monologue, inspired by life. ENVIA!, and her many monologues, have been performed and produced by many talented actresses, and all of them have put their own unique spin on this monologue–inspired by their own trials and joys of handling auditions over the years.
My daughter Franci, has, also had the opportunity to perform “Your Casting Call,” and I felt a great sense of satisfaction watching her on stage having the last word.
YOUR CASTING CALL
A monologue by Kelly DuMar
SETUP: An actress ENTERS, as if preparing for an audition, on a bare stage, dressed as The Goddess of Illusion
(CLEARING HER THROAT, ADJUSTING HER COSTUME, CLOSING HER EYES, PUTTING HER TWO HANDS UP WITH PINKY & POINTER FINGER TOUCHING AND TAKING A BEAT OR TWO IN THIS POSE. DEEP CLEANSING BREATH, OPENING HER EYES)
Hello! My agent may have led you to believe I’m here to audition, but I’m not here to meet your casting requirements – I’m here to shatter them! My intention is to inspire your deepest, most authentic, creative response to me. Oh! By the way, my monologue doesn’t require nudity, but it may inspire it, so, you’re free to remove as much clothing as you choose. . . my name? E-N-V-I-A! That’s all caps – My last name is the exclamation point! Aries is my star sign and Spontaneity and Creativity leapt into alignment the moment I was conceived! Wherever I go – whomever I meet – here I am! And I am always evolving. You will love me or loathe me but you will not beat my innate talent into compliance with your incomprehensible expectations and then reject me for my lack of originality! I’m sorry – I didn’t mean for that to sound jaded. I may be receptive to having an experience with you – if we are able to co-create a medium of mutual expression that sustains our integrity as artists and human beings.
(Her stomach growls)
I may also be receptive to an offer of a protein shake. Do you mind if I ask if you got enough sleep last night? Are you open to feedback? It’s just that you would have made a better impression on me today if you had gotten a good night’s sleep. Perhaps you were dreaming of me – And, if that’s the case, well, whatever you do – don’t stop!
(She gets ready to leave)
I don’t do call backs. If I’m interested, I’ll follow up. No worries – I’ve got your number
All text and photos ©KelllyDuMar. Do not use or reproduce without permission. For permission to perform the monologue, contact Kelly DuMar at firstname.lastname@example.org.
Kelly Dumar’s is teaching “Your Memoir as Monologue: Writing Monologues for Healing and Transformation,” an online class Jan. 15 – Feb. 25. Here’s what some previous students said of taking this inspiring and life-giving class with Kelly:
“Memoir as Monologue taught me the power of my own story. Kelly’s guidance on creating effective drama, her concrete feedback on improving my work, the nurturing environment she created for participants and the excellent resources she brought to the table opened a whole new world for me. This was one of the most effective online classes I’ve taken.”
“Kelly provided excellent resources, offered valuable, timely feedback, sought our feedback as the course progressed and created a nurturing atmosphere. The opportunity to both write and hone monologues and then hear our work performed by a professional actress exceeded my expectations of the class. I learned the freedom monologues offer in contrast to writing.”
“[I learned] better ways to approach monologue than the ways I’d been trying; liked that I cracked open a tough nut of a story in a new way, identifying the core problem Narrator needed to solve (which was different from the problem she was trying to solve).”
“Thank you so much for guiding us all into a most wondrous experience . . . and your attentive intelligence in keeping us on track and focused as each shared and bared depths.”
“Your class was awesome, inspiring and so very insightful. What gifts you bring and give. Thank you!”
“Your memoir-to-monologue class has inspired a whole new project. Thank you. And thanks to my classmates. I learned so much from each of you.”
“Thank you for creating such a collaborative atmosphere of mutual support.”
And here’s a description of the class: “There’s beauty and meaning to mine from your life story, and this workshop will help you artistically express what you’ve overcome and achieved, and creatively share your experience to benefit others through the medium of theatre. You’ll learn how to write successful dramatic monologues based on your life that are personally meaningful, emotionally satisfying, and relevant and engaging for an audience. In class, through thematic writing prompts and creative exploration, you’ll develop your ordinary and extraordinary life experiences into powerful, dramatic monologues that can be performed – by you or an actor – with universal appeal. In class meetings will present elements of dramatic structure and explore the artistic qualities necessary for an effective dramatic monologue. We’ll explore the role of conflict, plot, communicating subtext, voice, narrative, and the importance of set-up. New writing will be generated in and out of class, shared in class and aspects of revision will be presented and practiced. Beginning and experienced writers in any genre are welcome!”