Right Livelihood – In Search of Runes: Part 1

by Carol Thompson

Editor’s note: This is part 1 of an ongoing, 5 part blog chronicling the author’s journey with TLA.

I began my voyage towards a “Transformative Language Arts Foundations Certification” two years and two months ago. I needed a new start, a new direction and a new focus, so I signed up for classes that provided me with the tools to Gather Courage, the keys to the Values of the Future, and the skills to figure out how to Change the World with Words. Today, as I look toward my next evolution and see where I am as a result of my history with TLA, I do so with a sense of sadness, liberally sprinkled with pride, as the finality of an ending begets the excitement of a new beginning. The past two years have brought about a huge change in my life, a change that continues to amaze and astound me. I have been given the opportunity to re-create myself once again.

When I first put together my TLA Network Profile I listed my profession as “Granny-nanny” and this was my short Bio:

“I just made the decision to quit my job, sell my house and all of my belongings, retire and move from Vermont to the Bay area in California to be near my new and first grandson, Dylan, and his family (they live on a 41′ sailboat!). I LOVE California, but miss Vermont and my friends and expect to return to the Mad River Valley some day.”

My profile picture showed me on the sidewalk in front of the sweet, affordable ($1000.00/month), 740 square foot, one bedroom, one bath cream-colored stucco apartment that was my first home in 42 years not situated in the Green Mountains of Vermont. Located two blocks from my beloved Dylan, I was able to walk to the marina in 8 minutes. I’m standing in front of my new-to-me bright red Prius named Ruby Begonia with my new-to-me electric yellow 16’ long Eddyline Nighthawk sea kayak proudly perched on top. Life was good. I was living the dream (California, right?) with a car that could zip me around town getting 50 miles per gallon and my fantasy boat that could provide unlimited adventures around the San Francisco Bay.

Two years later, Dylan is now the toddler with a “never take no for an answer” attitude (remember the Tasmanian Devil from Looney Toons?), the Prius is history (kept having battery problems) and I traded it in for a dependable slate blue-grey Corolla, the sea kayak is gone (found a shorter, fatter, more kid-friendly model at REI) and the one-bedroom is now a two-bedroom ($1800.00/month) on the other side of town (long story…). I rarely get to San Francisco because the traffic is horrific, and I sold the building lot in Vermont that I hoped to put a tiny home on some day, but, I’m still standing, thank you, Elton John:

“Don’t you know that I’m still standing better than I ever did
Looking like a true survivor, feeling like a little kid
And I’m still standing after all this time
Picking up the pieces of my life without you on my mind.”

To be continued!

 

Carol ThompsonCarol Thompson moved from the Mad River Valley in Vermont to Benicia, California on Christmas Day, 2014, in order to be close to the marina where her first grandchild and his family live on a 41′ sailboat.  A life-long learner, Carol has a BS in General Studies and holds certificates in Counseling & Human Relations, Non-Profit Management and will soon be certified in Introductory Transformative Language Arts.    Two of her main interests are the study of Runes  and the creation of beautiful miniature succulent gardens.   She has taught Introduction to Runes classes in Vermont, California and New Zealand.  A DNA test confirmed her Scandinavian ancestry.

Stories with Spirit: Regi Carpenter

Regi Carpenter will be teaching the upcoming online class, Stories with Spirit: Creativity as a Spiritual Practice beginning April 4th.

About the Class:

“At the heart of one’s creativity lies a desire to explore and express the exquisite power of the present experience, feeling, sensation and belief. This class will focus on strengthening and recognizing the intuitive sense of the creative process without judgment or restriction. We’ll play with writing meditations, reflections, and written and spoken word pieces that gently guide us to who we are now, in this moment.

Through writing meditations, personal reflections, readings, videos and on-line shared discussions, we will explore how our creativity brings us into the present by bearing witness to the sacred within one another, the world and ourselves.

We’ll focus on the use of images, metaphors, ritual, voice, and a variety of writing structures to create vivid pieces in and outside of class. Beginning and experienced writers in any genre are welcome!”  

Regi is a phenomenal storyteller whose captivating presence can be felt in this powerful TEDx presentation:

Don’t miss out on this opportunity to connect to the soul of your creativity with an incredible facilitator guiding the way!

Register here

About Regi:

For over twenty years Regi Carpenter has been bringing songs and stories to audiences of all ages throughout the world in school, theaters, libraries, at festivals, conferences and in people’s back yards. An award winning performer, Regi has toured her solo shows and workshops in theaters, festivals and schools, nationally and internationally.

Regi is the youngest daughter in a family that pulsates with contradictions: religious and raucous, tender but terrible, unfortunate yet irrepressible. These tales celebrate the glorious and gut – wrenching lives of four generations of Carpenter s raised on the Saint Lawrence River in Clayton, New York. Tales of underwater tea parties, drowning lessons and drives to the dump give voice to multi-generations of family life in a small river town with an undercurrent.

 

What Does Vulnerability Look Like?

by Melissa Rose

This piece was written during my experience in the TLA online class, Diving and Emerging: Finding Your Voice and Identity in Personal Stories facilitated by Regi Carpenter. I loved this class and the places the writing prompts led me, causing me to form a richer relationship with my memories and experiences. 

       The woman sits crossed legged on the shore of the silent lake on a crisp spring morning. The lavender mist hovers above the water, as she watches a flock of brown and black birds bob along the surface. She has been up for hours, watching the sun rise from behind the mountain in the distance, wrapping herself in a thick pink sweater, as the chill around her is remedied by wool. In this moment, she is anything but restricted. No pressure of tiny hands reaching for her. No eyes watching where she is. She inhales the fresh air and for once feels free. She tries to savor moments like this. They only come occasionally. Every minute by herself she wishes she could stretch into miles between obligations. It’s been so long since she could remember what it felt like to be alone. To simply “be” without label. Without definition. Only the morning breeze blowing a quiet promise through her wispy brown curls. She slips a single foot from her sandal and digs her bare toes into the soft sand beneath her; a boulder worn down into a million pieces.

      I am 4 years old, up at the cabin on the lake. It is early, and my mother sits next to the water outside, watching the Canada Geese bob along the surface and I awaken alone in my bed. I see her from the window, and sliding out of my pajamas I open the screen door and step outside. Stumbling on the sappy rocks, I walk towards her. She doesn’t notice me for several seconds because I am so quiet, watching her behavior, how she looks different. Not like my mother, but a wild creature in its natural habitat. She senses she is not alone, and like a doe, turns her head suddenly, with a sharp startled snap, then smiles, relaxing when she sees me, amused by my nudity. It is spring, and the air is crisp. I dip my feet into the cold water, but feel no chill.

      She always felt her body was wrong. The bumps never fell in the right place. The stomach expanding in places she didn’t want it to go. She felt trapped inside herself. Sweaters become her uniform. She never goes swimming. She never speaks of her body as anything but a burden. The flesh dragging behind her, like a punishment.

      I am 5 years old, and I search the house for my mother. I check the kitchen and the bathroom, even venturing into the dark garage. Then I notice her bedroom door is closed. My tiny hands turn the polished copper knob and I push the wood, stepping over the threshold, turning my head back and forth, looking for her familiar shape. We lock eyes, her body bare, pink breasts exposed and she covers her naked flesh with her arms, screaming in surprise, her voice high and tight as violin strings:

“Get out!!”

I flee from the room, retreating to my bed and under the covers like I had just witnessed a cardinal sin. My mother had never raised her voice to me before, and the sound frightens me. Shaking under the covers, she eventually finds me, applying her voice in an apologetic band aid.

“I’m sorry, Melis…you didn’t do anything wrong…” but the image of her face as our eyes met in that moment left an imprint. The shock and softness. The sting of her standing there completely exposed. A deer in headlights. The nakedness of her in her most pure and isolated state. The place of her she never wanted anyone to see.

I am my mother’s daughter.

      I hide my body as it grows and expands. As the pieces of it change shape. I grow breasts at age 9. My mother tells me to cover up. It is no longer “appropriate” for me to walk around my own house without a shirt on and I don’t know why. Only that my flesh is no longer amusing like it was when I was 4. It carried with it another message altogether. Something shameful. Wrong.

So I hide.

I wear sweatshirts on hot summer days.

      I don’t look at my naked body for years. Every mirror is an averted glance. Every locker room is a struggle to expose as little as possible. To never be left vulnerable. To never be seen without armor. Armor becomes my voice. Becomes my brashness. Becomes my need to hide how I really feel. Armor becomes a way to cover everything I do not want seen about myself.

      She drinks alcohol, hiding the bottles in her closet. Keeping the soft parts hidden under intoxication. Swallowing everything, covering up the raw places, collecting the pieces of herself and telling the children to keep her secrets.  

      In a bedroom, a man asks me to take off my clothes, and I am silent. As the pieces flake off my skin, a new exposure emerges. The prying open of a mollusk. The vulnerability left in the dark with my voice. I tell myself “You didn’t do anything wrong” but now the nakedness becomes more than a scream from my mother. It becomes the reason I scream too.

      A year later and I am fully clothed, standing on a stage. The lights hit me and I speak about the things no one wanted me to say. Exposure is what happens when I show my mess to strangers. Raw is what happens when I realize there is nothing to hide. That speaking is a step towards healing. That telling my story saves me from it.

      I stand on another stage. This time I say nothing. I am naked in front of strangers, but for a different purpose. For 3 hours every week I pose for artists. I embody emotion through my posture. Communicating without speaking every inch my flesh can muster. Telling the story of my body itself.

      Being naked is how I show myself my body is worthy of love. That there is safety in uncovering all that you hide behind. That for the first time since I was 4 years old, I can show myself that my nakedness is nothing to be ashamed of. That vulnerability comes in many forms. That the flesh I reside in is anything but sinful.

      I think of my mother, and all she chose to hide from me. That seeing her unclothed was the first time I was ever able to see a glimpse of who she really was, and everything she never wanted me to experience.

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Melissa Rose is a spoken word poet and playwright. She has hosted community spoken word events since 2003 and has been a member of 5 National Poetry Slam teams. She has performed her work across the United States and Germany and was a featured poet at the German National Poetry Slam in 2010. She currently lives in Eugene, Oregon and is the executive director of Siren, a nonprofit organization that empowers women through spoken word.

TLA Class Teacher Profile: Jacinta V. White

Jacinta will be teaching the upcoming online class, Becoming Undone: Unpacking Life’s Weight with Writing and Poetry  starting April 4th, 2018.

Jacinta V. White is a published poet and a 2017 recipient of the Duke Energy Regional Artist grant. She has been facilitating group and individual poetry writing sessions — using poetry as healing — for more than 15 years, through her company, The Word Project. Just three years ago, Jacinta launched Snapdragon: A Journal of Art & Healing — an international online journal publishing poetry, creative nonfiction and photography. Knowing from personal experience the healing balm poetry provides, Jacinta is committed to assisting others and expanding the conversation on art and healing.

See Jacinta’s experience with the TLA network’s One City One Prompt series

Read more about Jacinta

About Jacinta’s Upcoming Class: 

Becoming Undone: Unpacking Life’s Weight with Writing and Poetry 

“This class has been designed for and offered to those who feel overwhelmed by life’s challenges or those who feel too stuck to make a plan for something more.

Each week, participants will be given a poem and prompts that will gently guide them in journaling and poetry writing exercises (and optional “supporting exercises” for those who want to go deeper into the work).

By using creativity of writing, participants will begin to identify what weight needs to be unpacked and how, and begin to re-pack what is most important and meaningful to them.

This series is designed for those who are wanting to work through what “weight” might be holding them from living a fuller life. Those who feel stressed out and in need of clarity. Those who are burden and are looking for a place (internally) to process life (external) demands and to “find” themselves. And, ideally, those who are willing to go a beyond the surface and dig deeper into the balance and changes their life needs in order to live a life they were created to live.”

Register for Jacinta’s class here

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