Join Us for an Evening of Transformative Monologues!

Presenting a showcase of recent work created by Kelly DuMar’s TLA Network class, Your Memoir as Monologue.  We hope you will join us tomorrow, Wednesday, October 12, 2022, from 7-8:30PM EST.

In writing monologues for the stage, a story begins as words on the page. The next stage of development is to have the monologue performed by an actor in front of an audience. In this monologue showcase, class participants who have been developing monologues over six weeks will have the chance to see their writing performed by an actor for an audience––you.

Stella Adler called theater the “seeing place”––the place we come to see the truth about our lives and social situation. Oscar Wilde called theater “the most immediate way in which a human being can share with another the sense of what it is to be a human being.” And August Wilson was, “fascinated by the idea of an audience as a community of people who gather willingly to bear witness.” We invite you, our audience, to share in making dynamic theater with us, by being present for this showcase of brand new stage monologues. This intimate and powerful experience will present writing by class participants––read by actors––is part of the critical page-to-stage development process that all new plays need. Please join us, and share the vitality of your presence and your witness as our much-appreciated audience.

The show is free and open to the public – although donations are always welcome! – and will take place via the online video conferencing platform Zoom. A link to the show will be sent out the day of the event.


About the Director
Kelly DuMar, M.Ed. 
 is a poet, playwright, and workshop leader who generates enlivening writing experiences for new and experienced writers. Author of three poetry collections, girl in tree barkTree of the Apple, and All These Cures, Kelly is also author of Before You Forget— The Wisdom of Writing Diaries for Your Children. Kelly’s award winning plays have been produced around the US and Canada, and are published by dramatic publishers. She founded and produced the Our Voices Festival of Women Playwrights at Wellesley College for twelve years, and she is a past president of Playwright’s Platform, Boston. For the past seven years, Kelly has led the week-long Play Lab Intensive at the annual conference of the International Women’s Writing Guild. Kelly is a certified psychodramatist, former psychotherapist, and Fellow in the American Society for Group Psychotherapy and Psychodrama. Currently, Kelly serves on the board & faculty of Transformative Language Arts Network.  You can learn more about Kelly at www.kellydumar.com.

About the Actors



Jamila Capitman, MA. is a Staff Counselor at Simmons University, a Youth Development Specialist and a Diversity, Equity, and Inclusion consultant with VISIONS Inc., Jamila is the former Director of Multicultural Student programming at Milton Academy and was an educator in the Boston Public Schools. Jamila is an actress, playwright, and producer/director, with a Master’s degree in Drama Therapy from Lesley University who works on various creative independent projects that center her passions for beauty, justice, and transformative healing.



Franci DuMar is a member of the playback theatre troupe, True Story Theater, in Arlington, MA. She has trained, performed, taught and conducted playback theatre in a wide variety of community and therapeutic settings over the past ten years. She has a Master’s Degree in Expressive Arts from Lesley University in Cambridge, MA, in drama therapy and mental health counseling. She lives in the Boston Area.



Tonya Quillen is an Actor, Licensed Psychotherapist, Trainer of Psychodrama, Sociometry and Group Psychotherapy, Clinical Supervisor, and an Executive Leadership Coach. Prior to pursuing her career as a Psychotherapist, Tonya performed professionally for many years. She graduated from Interlochen Arts Academy where she double majored in Theatre and Voice and then continued her studies at Florida State University. After completing graduate school and training as a Psychodramatist, Tonya co-founded a Playback Theatre troupe where she served as Artistic Director, Conductor, Actor and Musician. Tonya also develops scenarios and enacts characters in role-training workshops for law enforcement officers, threat assessment professionals, and security operations personnel to provide them with the experience needed to effectively interact with, and interview, persons of interest.



Elizabeth Rose spent a considerable part of her life as an actor, both in film and industrial work along with local theater in Massachusetts. In addition, Elizabeth has written both screenplays and theatrical works as well as a popular blog that captures the life of a midlife woman. She works as an editor supporting other writers, and as a mediator, helping couples end their marriages while sustaining their families. She also works with couples who choose to stay together and want to explore new ways to communicate and strengthen their relationship. She is a Mother, Partner, Friend, Sister, Daughter, Dancer, Dog and Cat lover. Elizabeth lives in Ojai with her husband, spirit cat and soul dog. 

How Pictures Heal – Expressive Writing from Personal Photos, with Kelly DuMar

WOMAN WHO WEARS HER MOON HEART FULL ©Kelly DuMar

. . . A long time we were separate,
O Earth,
but now you have returned to me.

~ Elaine Equi

We all take, save, and inherit photographs of the people, places, and things that bring meaning, mystery, hope, and connection into our lives. In my upcoming 6-week writing webinar for the Transformative Language Arts Network, we will write from personal photos as a means of restoring meaning, purpose, hope, and resilience during and after loss. Particularly, throughout this time of the pandemic, unexpected losses, without meaningful closure, have mounted for many people. TLA practitioners and writers at all levels of experience will imaginatively encounter personal photos sparked by questions that generate remarkable and uplifting writing experiences.

If you’ve ever kept a diary or journal, it’s likely you know what expressive writing is–– and how this spontaneous writing about your feelings serves your emotional well-being in a variety of ways. Expressive writing is a way to get in touch with the “ideal listener” or the “silver lining voice” within all of us. The imagined listener who lets us express our feelings, hurts, dilemmas and joys, without judgment––or editing. And, because we write what we need to express without controls of grammar, form or outcome, we transform feelings, gain insights, and reduce our stress and anxiety. When we practice expressive writing in a supportive workshop, we also gain powerful feelings of connection with others, and the recognition that we are not alone. In fact, our stories and experiences can help others heal and grow.

Photographs fill boxes in our attics and cover our walls. We store them on our computers and cell phones and share them instantly on social media. We’re taking and sharing more pictures than ever before. Why? Because our photos show what we care about and hope to preserve, what moves and delights us. Our photos capture the people, places and memories that bring beauty and meaning into our lives. Writing from personal photos brings insight, healing, and zest into your life––whether you consider yourself a “writer” or not.

One young man wrote from a photo of himself and his brother as a child posing in the arms of their mother. As soon as he began writing, he wondered who had taken the photo. Ah. He realized it was the last photo his father had taken before leaving the family. His expressive writing led to this awakening: I was able to not only write something I’m proud of, but to process and communicate emotional difficulties I hadn’t been able to find words for in years.

Photo-inspired expressive writing revives our spirit. Long-dormant parts of our lives, places we’ve traveled to, people we’ve loved and lost come alive on the page. As the psychologist James Hillman brilliantly said, the gift of an image is that it provides a place to watch your soul. Expressive writing leads to re-discovering a zest for living. Deep conversations are sparked by showing, writing and sharing who, and what, we love. And, because listeners are truly interested, we feel a renewed enthusiasm, energy and sense of connection. As the author Martin Prechtel writes:

Grief expressed out loud for someone we have lost, or a country or home we have lost, is in itself the greatest praise we could ever give them. Grief is praise, because it is the natural way love honors what it misses.

AUNT MARION , from the private collection of Kelly DuMar

My own photo-inspired creative writing was sparked by this picture. I was a twenty-two-year-old college student when the aunt I’d looked up to and adored since childhood needed me by her side. Caring for Marion as she died took me out of my comfort zone––and changed my life. So, when I saw my young, adventuresome aunt in my mother’s scrapbook, I asked her if I could keep it. This photo of Marion, captured in this archetypal pose of the archer, like the goddess Diana, stretching her bow, aiming her arrow, captivated me. My expressive writing helped me unpack all the truth, beauty and healing it held.

What I love most about photo-inspired writing is that it engages us with the profound beauty of our ordinary lives. We discover what I call The Secret Reveal––a revelation––something we have been unable to express that leads us to a new way of knowing ourselves or others and changes our response to the community and the world.

About the Webinar Format
This 6-week class is hosted on the online teaching platform, Wet Ink, and on Zoom. The Wet Ink platform allows you to log in on you own time to post your writing from the prompts and get to know others through their writing by adding your comments. The day before class begins, you’ll receive an invitation to join Wet Ink. There are no browser requirements, and Wet Ink is mobile-friendly. Additionally, you will have three LIVE webinars on Zoom to discuss your writing and interact in real time with other participants (scheduled during the first week according to best availability of participants).

Who Should Take This Class
This course will serve writers and TLA practitioners at all levels of experience, as well as anyone interested in personal and artistic development. Counseling professionals and para-professionals will find dynamic creative outlets for personal and professional development. Writers and artists with an interest in exploring the healing aspects of personal photos may also be quite interested.

About Kelly DuMar
Kelly is a poet, playwright, workshop facilitator, and certified psychodramatist from the Boston area who has been leading creative writing workshops for decades. She’s author of three poetry chapbooks, and her fourth is upcoming from Lily Press, 2023. A producer of high-quality literary and transformative arts programming, Kelly currently serves on the Board of the Transformative Language Arts Network, and produces the Open Mic Writer Series for the Journal of Expressive Writing. Her past board leaderships include the International Women’s Writing Guild, and Playwright’s Platform, Boston. She blogs her nature photos and creative writing from the Charles River (where she lives) daily, for the past six years, at #NewThisDay.

The Messenger, a guest post by TLAF Certificate student Sharon Bippus

Editor’s note: Sharon is a student in the Transformative Language Arts Foundations Certificate program. This blog post is one of five reflection posts she will be submitting as part of the certificate requirements.

Credit: Sharon Bippus

To be seen is something that I have struggled with since childhood. Growing up in a dysfunctional family, I was the middle child sandwiched between an older sister and a younger brother, my mother’s obvious favorite. I was the second girl when I don’t think my mother even wanted the first one. I felt unloved and neglected. Feeling so shy and awkward, it felt safer to remain hidden and keep my distance.

Fast forward to the present, and I continue to work on this issue. To be sure, I have made progress, and my creativity has played a large role in my healing. My art, whether it is photography or mixed media or collage, is where I can safely express my emotions. It’s where I can relax and play. It’s how I can give back to that little girl inside me that never felt safe or wanted.

Nowadays, I find my creative outlet expanding into writing which is a new way of being seen. While taking Kelly DuMar’s “How Pictures Heal” course with TLAN, I had the opportunity to examine layers of myself, which allowed me to both see myself more clearly and to be seen by others. It was in this course that a photograph of a cardinal taken at a nearby nature sanctuary helped me uncover a revealing message about myself.

Read more: The Messenger, a guest post by TLAF Certificate student Sharon Bippus

For the first assignment in the course, Kelly directed us to select one of our own photographs to use as a writing prompt. I had no idea which of my personal photos to choose, and I spent hours scrolling through the pictures on my phone. A few of them whispered to me, but none of them really jumped out. Then – serendipitously – I was checking one of my social media accounts and saw that a woman, whom I don’t know personally, had tagged me in a photo. She is an artist and a friend of friends, and I follow her on social media. Intrigued, I looked at her comment to me. She had taken one of the photos that I had recently posted on Instagram and used it as a model for her watercolor painting. A thrill of excitement went through me, and my mouth hung open in surprise. Someone who works as an artist had been inspired by my photograph! I was so excited, so flattered, so joyful! 

This was the picture. This was the picture that I needed to explore in Kelly’s class – a bright red cardinal staring straight at me, seeds protruding from his beak making it look like he has buck teeth. He saw me and tried to make me laugh with his fake teeth. Then Sue (the artist!) saw my work, and by doing so, I felt as if she saw me. She saw the beauty that I try to capture and share with the world.

Some people say that birds are messengers, and I believe that is true. This is what my cardinal told me:

People notice me and see my beauty right away.  There’s no hiding it.

I can fly.  I can soar.  I am free.

Nature is my home.  The trees shelter me.  The wind guides me.  The rain cleanses me.

I am nourished here in this sanctuary.  I am bold and determined.  I can look you right in the eye, and I can make you laugh.

Sharon Bippus, PhD, is an ESOL (English to Speakers of Other Languages) instructor who finds inspiration in the intersection of creativity, mystery, and synchronicity. As an undergraduate, she was awarded two scholarships to study in Germany which fueled her desire to learn more about the diverse world we live in. Since that time, she has taught English in Slovakia and China and was a Peace Corps Volunteer in Western Russia. She currently teaches ESOL at a community college in the suburbs of Houston, Texas where she works with students from all over the world. In her free time, she enjoys mixed media, collage, and photography and has received training in trauma-informed expressive arts and nature-based therapeutic practices. She is a SoulCollage® facilitator, a Veriditas-trained labyrinth facilitator, and a student in the Haden Institute’s Dream Work Program.

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How Pictures Heal: Honoring Memory and Loss Through Expressive Writing from Personal Photos, by Kelly DuMar

We all take, save and inherit photographs of the people, places and things that bring meaning, mystery, hope and connection into our lives. In my upcoming webinar for the TLA Network, “How Pictures Heal,” these treasured personal archives will be the bridge to writing as a means of restoring meaning, purpose, hope and resilience during and after loss. (Learn more about the class here.)

The first thing I invite participants to do is to choose a photo of yourself to write from. Any photo, from any time in your life. It’s best to trust your instincts, and choose a photo that arrests your attention and seems to be whispering – it has a deeper story to tell.

Here’s what happened for Grace, a recent participant in one of my workshops, when I invited her to step into the three-dimensional world of her photo – in her own words:

When I was asked to find a picture to write about, I went to the one that I felt more sorrow, the picture that I look at, and wished I could go back to and stop time. There were so many questions, I just saw three cute kids, kind of looking like triplets, the way we looked so much alike.

I chose it not knowing how much the writing would come to life, I went back to that five-year-old who was plucked from her tropical safety net in Costa Rica, to come to America, where the cold hit me from my nose to the bottom of my terracotta soles. I am answering the questions that kept me in that time-warp of sadness. Today, opening up my mind and remembering things I thought were lost in a bottomless pit, the phoenix is rising, and the void of my past and memories of light not darkness are helping me stop, smell, and feel the sunshine that disappeared the night the plane landed in Logan Airport.

Grace’s 1965 passport photo, Costa Rica (Grace is on the far left).

Grace initially wrote what I call the “raw material,” from her photo, by answering question prompts I offer. Then, she continued developing the memory and her writing, and eventually composed a short personal memory piece, “Passport to Snow (1965).” Below are some excerpts from her photo-inspired memoir vignette (shared with permission of the author):

Grace – Always know, that if you keep both feet on the ground everything is going to be all right. ~ Tia Flori

In Costa Rica, where I was born, we run without shoes. We run around in the dirt, but we are always clean. Jabon. Soap. Smell of clean. A nice, shiny black soap with a scent I cannot get out of my system. Sweet, the smell of my grandmother.

I love to wiggle under my grandmother’s porch to eat the chalky dirt. I crave the gritty taste. Light brown to a red, like a spoonful of cinnamon. Me and my sister, Iris, are under the porch, eating dirt. The dirt is moist, like moss.

I am always in trouble…

At five, I feel my feet suddenly stepping into the unknown. I am being led by the hand, by my cousin Gloria, and my grandmother, to stand on a blank, white, piece of paper. What am I putting my feet on this paper for? The cobbler is drawing my feet with his pencil. First the paper was blank. Now I see the imprint of both my feet, left and right.

A few weeks pass, and a beautiful pair of ankle high shoes arrive. First, I smell the fresh paper they are wrapped in. Then I inhale the aroma of new leather. The white patent leather shines bright like the Costa Rican sun. The shoes are sturdy and strong: white with laces, with a terra cotta sole.

I have never had shoes as special as these made for me before. My mother and father are in a place called Sudbury in a state called Massachusetts, in the United States. They tell my grandmother, make sure the children get some shoes, because it’s winter here.


Who Should take this class? How Pictures Heal: Expressive Writing from Personal Photos, with Kelly DuMar
 TLA practitioners at all levels of experience
 Anyone interested in personal and artistic development
 Professionals and para-professionals who work with memory challenged seniors
 Family members of those suffering from dementia and Alzheimer’s, and caretakers of those with memory challenges, will find dynamic creative outlets for personal and professional development
 Writers and artists with an interest in exploring the healing aspects of personal photos.

We’ll create a safe and supportive environment, offering respectful support that inspires the development of every writer’s voice. I look forward to working with you!


Kelly DuMar, M.Ed. is a poet, playwright, and engaging workshop leader who generates enlivening writing experiences for new and experienced writers. Her photo-inspired creative writing method elicits profound personal awakenings, deepens connection with others, and fosters beautifully crafted writing in poetry and prose. Author of three poetry collections, girl in tree barkTree of the Apple, and All These Cures, Kelly is also author of Before You Forget— The Wisdom of Writing Diaries for Your Children. Kelly’s award winning plays have been produced around the US and Canada, and are published by dramatic publishers. Kelly is a certified psychodramatist, former psychotherapist, and Fellow in the American Society for Group Psychotherapy and Psychodrama. She founded Let’s Talk TLA, a bi-monthly tele-conference and poetry open mic for members of the Transformative Language Arts Association. Currently, Kelly serves on the board & faculty of The International Women’s Writing Guild. Kelly inspires readers of #NewThisDay – her daily photo-inspired blog – with her mindful reflections on a writing life. You can learn more about Kelly at www.kellydumar.com

Don’t Miss “Your Memoir as Monologue” with Kelly DuMar!

Kelly DuMar is teaching an online six-week workshop, Your Memoir as Monologue: Writing Monologues for Healing and Transformation, starting January 15, 2020. Kelly is a poet, playwright and expressive arts workshop facilitator who has been a leader of new play development in the Boston area for over fifteen years. She founded and produces the Our Voices Festival of Women Playwrights at Wellesley College, now in its 13th year and she teaches the weeklong Play Lab at the International Women’s Writing Guild Annual Conference. Her plays have been performed around the US and beyond and are published by dramatic publishers. Here’s a short interview with her on this class:

What inspired me to teach this class?

I love monologues. Listening to them, helping others write them, and writing them myself. First person narratives are gripping invitations to audiences, particularly when they present a dramatic journey, and moments of survival of someone – a person, a character – who has enlisted my compassion and concern

Don’t you love the invitation to enchantment? The theatre, darkened, the stage lit. Whether I’m in the audience or the playwright, I’m involved and transported by possibility. The theatrical question, What if. . . is an invitation to be enlightened, and changed through storytelling.

I love helping writers tell powerful stories on the stage – particularly those whose voices and stories have been unheard, silenced, trivialized or marginalized. Thirteen years ago, I founded a play festival, Our Voices, for new and experienced women playwrights to have a uniquely supportive place to develop their stories for the stage. Our Voices is an all day play lab that has supported nearly 150 women playwrights to develop plays with actors and directors. I love how one participant describes her experience in Our Voices, because she nails why writing monologues based on life experience can be so validating:

“Writing is my solace and joy, coming to me in bursts of laughter or darkness.  I have stories to tell yet, at times, I shrink from sharing, doubting my own voice.  Through more workshops and conversation, I hope to strengthen that confidence in my point of view and reinvigorate the process to write the things I don’t yet dare to consider.”

How is writing for the page different from writing for the stage?

Collaboration with other artists is illuminating, joyful, and challenging – and writing for the stage requires it. Sitting day to day at one’s desk can be lonely. But writing for the stage invites us into a theatre – a rehearsal, into a relationship with actors, directors, and audiences. Here’s what an Our Voices participant shared about writing for the stage: “One of the things I love most about writing plays is the possibility of witnessing one’s words and dramatic vision come alive on stage.”

Writing monologues for the stage makes the healing power of writing visible, visceral and accessible – not just for the playwright, but the audience as well. People are so amazingly resilient! Writing monologues for the stage is a natural way to find out how resilient you are – and sharing what you write inspires other people to feel hopeful and resilient.

What are some of your favorite dramatic monologues? 

My favorite is definitely Emily Webb’s “Goodbye,” monologue in Thornton Wilder’s classic play, Our Town. What moves me in a dramatic monologue is when a character goes on a compelling emotional journey and takes me with her – she begins in one place and ends in another – she’s more awakened, and so am I.

Watch these Youtube videos of two different performances of the Emily Webb role – the first is from a movie: https://www.youtube.com/watch?v=hCLHkaHOO80

Here’s the same monologue in a recording of a stage performance: https://www.youtube.com/watch?v=xmCnzU5uZUY

What can students in this class expect?

We need spaces where we can give ourselves permission to un-silence our deepest truths and most authentic self. In Memoir as Monologue, I facilitate a safe, supportive, healing environment for writers to tap into their deep feelings and beliefs and find the courage and skill to share them for personal growth and craft them for performance. Participants can expect to express ordinary and extraordinary life experiences, and feelings and construct powerful, dramatic stories with universal appeal. Scripts need to be heard as much as they need to be read. We will have at least two LIVE webinars (held on Zoom) where participants will bring their writing to be read aloud and shared.

Kelly DuMar, M.Ed., C.P., is a poet, playwright and expressive arts workshop facilitator who has been a leader of new play development in the Boston area for over fifteen years. Kelly founded and produces the Our Voices Festival of Women Playwrights at Wellesley College, now in its 13th year, and she teaches the weeklongg Play Lab at the International Women’s Writing Guild. Kelly’s award-winning plays have been produced around the US and Canada, and are published by Brooklyn,HeuerYouth Plays, and Smith & Kraus Audition Anthologies. She’s author of a non-fiction book, Before You Forget: The Wisdom of Writing Diaries for Your Children, and three poetry and prose chapbooks, girl in tree bark, All These Cures and Tree of the Apple. She’s a certified psychodramatist and a playback theatre artist. Kelly is honored to serve on the board of The International Women’s Writing Guild. You can learn more at kellydumar.com. More on her class is here.

Your Casting Call: A Comic Monologue — By Kelly Dumar

I’ve written for the stage, and held auditions as a playwright or director, and made difficult casting choices. But I’ve never experienced the thrill, the risk, the humiliation or the anxiety of an audition from inside the actor’s skin. When my youngest daughter discovered a talent and passion for acting in elementary school, I began to understand the actor’s experience of prepping for and going through with an audition. As a stage mom, I witnessed the emotional roller coaster, the hopes, wishes, dreams of success and inevitable failures. I waited on the sidelines, or, if the audition was a play for school, I waited at home, anxiously, for news of whether she had been cast–or not, for a much hoped for part. And, many times she was cast. And, just as many, she wasn’t.

When I began writing the series of monologues for my character, ENVIA! A One-Woman Show, the first scene I imagined was ENVIA! taking charge of an audition after a series of frustrating failures to be cast. It’s a comic monologue I’ll share with you now for the fun of it. I’m teaching “Your Memoir As Monologue” online in January for the Transformative Language Arts Network, and just want to share the fun of writing a comic monologue, inspired by life. ENVIA!, and her many monologues, have been performed and produced by many talented actresses, and all of them have put their own unique spin on this monologue–inspired by their own trials and joys of handling auditions over the years.

My daughter Franci, has, also had the opportunity to perform “Your Casting Call,” and I felt a great sense of satisfaction watching her on stage having the last word.

YOUR CASTING CALL
A monologue by Kelly DuMar

SETUP: An actress ENTERS, as if preparing for an audition, on a bare stage, dressed as The Goddess of Illusion

ENVIA!
(CLEARING HER THROAT, ADJUSTING HER COSTUME, CLOSING HER EYES, PUTTING HER TWO HANDS UP WITH PINKY &  POINTER FINGER TOUCHING AND TAKING A BEAT OR TWO IN THIS POSE. DEEP CLEANSING BREATH, OPENING HER EYES)

Hello! My agent may have led you to believe I’m here to audition, but I’m not here to meet your casting requirements – I’m here to shatter them!  My intention is to inspire your deepest, most authentic, creative response to me.  Oh! By the way, my monologue doesn’t require nudity, but it may inspire it, so, you’re free to remove as much clothing as you choose. . . my name? E-N-V-I-A! That’s all caps – My last name is the exclamation point! Aries is my star sign and Spontaneity and Creativity leapt into alignment the moment I was conceived!  Wherever I go – whomever I meet – here I am! And I am always evolving.  You will love me or loathe me but you will not beat my innate talent into compliance with your incomprehensible expectations and then reject me for my lack of originality!  I’m sorry – I didn’t mean for that to sound jaded.  I may be receptive to having an experience with you – if we are able to co-create a medium of mutual expression that sustains our integrity as artists and human beings.
(Her stomach growls)
I may also be receptive to an offer of a protein shake. Do you mind if I ask if you got enough sleep last night?  Are you open to feedback?  It’s just that you would have made a better impression on me today if you had gotten a good night’s sleep. Perhaps you were dreaming of me – And, if that’s the case, well, whatever you do – don’t stop!
(She gets ready to leave)
I don’t do call backs. If I’m interested, I’ll follow up.  No worries – I’ve got your number

END OF SCENE

Here are some links to my published plays and monologues where you can learn more about my writing for the stage.


All text and photos ©KelllyDuMar. Do not use or reproduce without permission. For permission to perform the monologue, contact Kelly DuMar at kellydumar@kellydumar.com.

Praise for Kelly’s Monologue & Playwriting Workshops

Kelly Dumar’s is teaching “Your Memoir as Monologue: Writing Monologues for Healing and Transformation,” an online class Jan. 15 – Feb. 25. Here’s what some previous students said of taking this inspiring and life-giving class with Kelly:

“Memoir as Monologue taught me the power of my own story. Kelly’s guidance on creating effective drama, her concrete feedback on improving my work, the nurturing environment she created for participants and the excellent resources she brought to the table opened a whole new world for me. This was one of the most effective online classes I’ve taken.”

“Kelly provided excellent resources, offered valuable, timely feedback, sought our feedback as the course progressed and created a nurturing atmosphere. The opportunity to both write and hone monologues and then hear our work performed by a professional actress exceeded my expectations of the class. I learned the freedom monologues offer in contrast to writing.”

“[I learned] better ways to approach monologue than the ways I’d been trying; liked that I cracked open a tough nut of a story in a new way, identifying the core problem Narrator needed to solve (which was different from the problem she was trying to solve).”

“Thank you so much for guiding us all into a most wondrous experience . . . and your attentive intelligence in keeping us on track and focused as each shared and bared depths.”

“Your class was awesome, inspiring and so very insightful. What gifts you bring and give. Thank you!”

“Your memoir-to-monologue class has inspired a whole new project. Thank you. And thanks to my classmates. I learned so much from each of you.”

“Thank you for creating such a collaborative atmosphere of mutual support.”

And here’s a description of the class: “There’s beauty and meaning to mine from your life story, and this workshop will help you artistically express what you’ve overcome and achieved, and creatively share your experience to benefit others through the medium of theatre. You’ll learn how to write successful dramatic monologues based on your life that are personally meaningful, emotionally satisfying, and relevant and engaging for an audience. In class, through thematic writing prompts and creative exploration, you’ll develop your ordinary and extraordinary life experiences into powerful, dramatic monologues that can be performed – by you or an actor – with universal appeal. In class meetings will present elements of dramatic structure and explore the artistic qualities necessary for an effective dramatic monologue. We’ll explore the role of conflict, plot, communicating subtext, voice, narrative, and the importance of set-up. New writing will be generated in and out of class, shared in class and aspects of revision will be presented and practiced. Beginning and experienced writers in any genre are welcome!”

You can find more here.

Sparks: Check Out Our New Podcast Series

We are excited to announce the arrival of Sparks, our new podcast series, curated by TLAN Council member Joe Maldonaldo. The podcasts explore the power of the written, spoken, and sung word.

The first podcasts, drawing from interviews and live broadcasts with member Kelly DuMar, are now up and ready for you to listen to as you drive, walk, or putter around the house, including:

  • Grey Grey Joe: A Conversation With Seema Reza: Seema Reza, author of A Constellation of Half Lives and When the World Breaks Open, discusses her TLA work with U.S. military veterans, her latest poetry collection, and finding balance between caring for other and caring for ourselves.
  • Empowering Human-Trafficking Survivors: A Conversation with Jennifer Jean:  Kelly DuMar interviews Jennifer Jean about her transformative language arts work with survivors and asks Jennifer to read some of her own work. This is an opportunity for TLA practitioners to learn and share best practices for working with survivors in writing groups and be introduced to Jennifer’s model for facilitating free2write workshops for survivors.

More podcasts will be added in coming weeks, thanks to Joe’s artful work with past programs and his commitment to create new programs. Tune into Sparks here.

Sparks! Power of Words Preview-September 12th

POW 18 header

September’s Sparks meeting is all about this year’s Power of Words Conference! 

Have you already registered for POW 2018? Or are you considering registering for our annual conference, which will take place October 12-14th at Goddard College in Plainfield, Vermont?

POW 2018 features Transformation, Liberation, & Celebration Through the Spoken, Written, & Sung Word – with workshops, celebrations, open mics, and fierce beauty among 50 presenters — storytellers, writers, performers,
activists, educators, healers, and more.

Want to know more about what participants will experience in this dynamic weekend? We’re thrilled to welcome special guest, POW Keynote, Amy Ostreicher, to be our SPARKS feature, along with other dynamic POW workshop presenters who will share about their Power of Words workshops:

  • Joseph Galata – Papa, Come Dance with Me Again!
  • Beth Turner – Rest x Choice
  • Liz Burke-Cravens – Discovering and Sharing Your Sacred Story for Social Change

Don’t forget to bring an original poem to the online poetry open mic! Everyone who participates in the teleconference is welcome to share an original poem. Whether you’re reading your poetry aloud for the first time, or you’re a seasoned reader, this is a chance to share your writing in the supportive presence of appreciative listeners.

Format of the Gathering

  • Kelly will interview workshop presenters on the call for 30 minutes about their POW workshops.
  • We’ll then have 10-15 minutes to ask questions and discuss TLA, your own practice, goals, or vision.
  • We’ll devote the next 15 or so minutes to the open mic poetry readings.
  • You don’t need to be a member of TLAN to participate!

Joining the Call on Zoom

Upon RSVPing, you will receive the Zoom call-in information in your confirmation email.

The call is from 7 – 8:15 p.m. CENTRAL, 8 – 9:15 p.m. EASTERN. Kelly will arrive on the video conference at 6:30 p.m. CENTRAL so you can connect early & work out any glitches!

Register for the Sparks gathering here

Register for the Power of Words Conference here

About Kelly DuMar

Kelly DuMar is a poet, playwright and expressive arts workshop facilitator whose chapbook “All These Cures,” won the 2014 Lit House Press poetry contest. Kelly’s poems have been published in many literary journals, and her award winning plays have been produced around the US and published by dramatic publishers. She produces the Our Voices Festival of Women Playwrights & Poets, held at Wellesley College, now in its 9th year. Kelly has a Master’s Degree in Education from the Harvard University Graduate School of Education. Her certification in psychodrama and training in Playback Theatre inspire her workshops with transformative energy. Kelly has presented professional workshops at Mass. Poetry Festival, The Boston Book Festival, Playback North America, The New England Theatre Conference, the Transformative Language Arts Conference, ASGPP, The National Association for Poetry Therapy, and The International Women’s Writing Guild. She is a Fellow in the American Society for Group Psychotherapy & Psychodrama, a member of the Advisory Council of The International Women’s Writing Guild, and a Council Member of the Transformative Language Arts Network. Her website it kellydumar.com, and she publishes a bi-monthly essay about the writing life to her subscribers.

WATCH: Sparks replay-Empowering Human-Trafficking Survivors

If you missed this last Sparks meeting, watch the replay featuring an interview with special guest, Jennifer Jean, discussion, and open mic!

Jennifer Jean is a poet, educator, activist, and consummate “literary citizen.” Her debut poetry collection is The Fool (Big Table); her poetry chapbooks include: The Archivist, and In the War. Jennifer’s newest manuscript, titled Object, was a finalist for the 2016 Green Mountains Review Book Prize. Other honors include: a 2018 Disquiet FLAD Fellowship; a 2017 Her Story Is residency, where she worked with Iraqi women artists in Dubai; a 2016 Good Bones Prize; and, a 2013 Ambassador for Peace Award for her activism in the arts.  As well, her poetry has appeared, or is forthcoming, in: Poetry Magazine, Waxwing Journal, Rattle Magazine, Crab Creek Review, Denver Quarterly, Mud City Journal, Solstice, Pangyrus, and more. She is Poetry Editor of The Mom Egg Review, Managing Editor of Talking Writing Magazine, and Co-director of Morning Garden Artists Retreats. Jennifer teaches Free2Write poetry workshops to trauma survivors, and she teaches writing at Boston-area universities.

Jennifer Jean’s website for more information is: http://www.fishwifetales.com